#and that fits so much more to what i experience! i even related to meg's personal anecdote about a meltdown she had as a child

[sherlock-is-ace]

.

[yellowocaballero]

related to the previous ask you answered, if you’re up for it - incredibly curious about how you research stuff for your writing. I feel like you’re so good at capturing all these little details of a life with such humour that I’m always going ‘how is yellow meg caballero not x identity’ (which is obviously not true & just the sign of a good writer, etc etc but still). Are you just out here talking to five million different types of people?? And understanding them??

Yes hello hi <3 <-- catching up on ask

I really do have the awful habit of swerving dramatically out of my lane and talking about shit I have no business talking about. I don't even do a lot of research, or at least not as much research as I should. I'm genuinely a terrible person to emulate here. But as for like how it tends to happen.

One half of it is. Patrick Stewart voice Writing fiction.

jaklsjdflksadf the other half is like...yeah, I talk to a lot of people. I like people a lot. I find everybody really interesting, and even if I don't like somebody then it's still interesting to have learned about a new kind of person. Over the internet especially is so much fun - everybody has at least one thing super interesting about them! Everybody has a unique trait or has had an experience totally unfamiliar to me. I also just really have an eclectic knowledge of a shitton of extremely useless stuff, I watch a lot of random-ass YouTube essays, all of it. Baby I got information even I don't care about for days lol.

Some of my characters are based lowkey off people I know. Sometimes they're based off me at different points in my lives, or the kind of person I used to think I was. I think most often they fit into a category of people I've met in my life - for example, for an OC I'm writing right now, she's based off this type of person I know. And in there I look for what I always liked about those people, what I always related to about those people, and how I always interacted with them. They're often kinds of people I don't even necessarily like. You never really want to do "well im writing [marginalized group] so I'll just make them [friend from marginalized group]", but for me once I meet and talk to enough people from that group kind of the experience and perspective that being in that group gives you emerges. The 'why' of the experience stands out, and you can go deep into that.

All that said, I look for the similarities instead of the differences. My MK stuff isn't about being a system (cuz not that.), it's about having a highly stigmatized mental illness, and somebody's relationship with their identity as a mentally ill person, which is something I can understand. Lots of my SW stuff was about...existential dread, lol. I do just know a fuckton of neurodivergent and trans and etc people. And I think we do just project - I'll interpret a character as having my experiences instead of another's, because I'm SUPER loose with characterizations lol. But yeah I'm just constantly talking to people about their experiences and if you do that enough then a bigger, more relatable experience emerges lol. Everybody knows that there's really only like five emotions.

That being said I made a joke in a recent Moon Knight fic about how baby Marc liked baby Steven at first just because he would wake up and his bed would randomly be made. And my sys friend was like "HOW did you know about chore ghost??". So. Lucky accident a lot of the time I think. Thanks for the Q though, I'm happy I succeed at this!

[flightfoot]

Apollo’s Redemption Arc

Apollo was never “evil” per se within the books, not really being actively malicious during the course of the story. He did some stuff that COULD have given him the villain slot (What he did to the Cumaen Sibyl, to Harpocrates, and to Coronis most specifically) but those terrible, malicious actions that led to IMMENSE suffering were only introduced via flashback, and not in great detail. Before that, his worse actions were only referenced vaguely, like him talking about sending heroes to die on quests and not caring, and other things were toned down, like the flaying of Marsyas which supposedly didn’t happen the way it’s portrayed in myths, so it’s up in the air how bad that actually was.

The jarring change in Tyrant’s Tomb came from seeing his more actively malicious actions instead of aggressively uncaring actions and attitude of previous books. During The Hidden Oracle, The Dark Prophecy, and The Burning Maze we learned how he used to watch demigod battles on TV as entertainment, not caring about the suffering they went through. Not to mention how he didn’t care much about Commodus beating his cupbearer for spilling a drink beyond some vague pity and think it was distasteful. He’s mostly chastised for being a bystander during these first three books. The great harm he’s caused more actively was only really emphasized in the fourth book, after he’s already turned around enough that he’s not really considered the same person anymore, something that’s accentuated in the text by Reyna and Meg during the confrontation with Harpocrates.

It appears to be an effort to strike a balance; making sure the reader doesn’t forget Apollo’s screwed up and needs to change, but also never wanting him to come across as a true villain. So in early installments when he’s first starting his redemption and is still a bit of an arrogant prick at times, it just portrays him as being MORE of an arrogant prick at first, along with being uncaring. In later installments once he’s changed and any vestiges of his jerkishness have been swept away, Rick’s able to delve into how bad he’s been in the past. We’re already invested enough in Apollo to not only want him to be redeemed, but to already have seen his growth, to have already gone through a lot of it. It takes a lot of the sting out of his horrific actions in the past. 

Redemption arcs need something to use to redeem a character, something that makes them realize they need to change and provide ongoing motivation for such a strenuous task, beyond just stopping doing bad stuff. Because just not doing evil things anymore ain’t a redemption; that guy who killed Katara’s mother in Avatar: The Last Airbender wasn’t redeemed just because he retired. It takes changing as a person. Often doing some specific redemptive action is also required to sort of ‘solidify’ the character change, to demonstrate that the change isn’t just in their words, that it’s a change that will stick, as well as to bring the audience and those who the character hurt or who were wary of them because of their past, onto their side. Even if the character knows they��ve changed, it’s not like anyone else can see into their heart; they can only judge by what they observe.

One thing that’s needed here is relatability; can we put ourselves in that character’s shoes and see and understand how they view the world? If a reader can do that, can understand that thought process, the redemption arc will be far more likely to work; it might even be required for a truly great one. 

A lot of Apollo’s actions that require a redemption arc (sending demigods off on frivolous, dangerous quests as errands, standing by while people are slaughtered, enacting petty punishments on people who really don’t deserve it, for instance) are written in such a way that the reader could reasonably understand his mindset, though it’d vary by reader obviously, as personal experience and mindset play a large role here. It helps that for a lot of Apollo’s actions we’re inside his head, we know what he was thinking, even if we don’t know the full story of how he developed into thinking that way. With him starting off thinking of demigods and mortals as expendable, we get to thoroughly understand that aspect before changing it. Others are more mixed, like with seeing his thought process concerning the Cumaen Sibyl and her curse. He helpfully explains a piece of his thought process, namely about hoping to find the one true romance that would wash away his past failures, and then how he started hating her when denied what he wanted, and couldn’t understand that her love wasn’t transactional, wasn’t to be bought. 

Come to think of it, he may have had that viewpoint because as a god, he had a lot of capital to trade. Power, wealth, longevity, all sorts of extremely valuable things he could use to ‘buy’ what he wanted. So the idea of being able to obtain love, peace, and fulfillment that way was tantalizing - especially since it wasn’t something he could obtain that way from most of the other gods. He was fortunate enough to have his sister and mother at least, so he DID have some good, healthy relationships, but that didn’t provide immunity from that mindset.

Being thrown down to Earth, being among mortals as one of them, changed everything.

Having good role models helped.

Even way back in THO, Apollo’s touched, nearly driven to tears at his children’s desire to protect him, at their love and care for him. He doesn’t expect it since he can’t provide them anything special.

And it’s not like it ends with them.

TDP: Jo and Emmie’s kindness towards others, their acceptance of those in need, their desire to help even people like himself and Lit, touches him deeply.

TBM: Jason sees worth in him, SAW worth in him, even back in Blood of Olympus, first time seeing him. Even then he risked his father’s wrath to try to get him to go easy on Apollo, because he thought it was the right thing to do. And ultimately he was willing to die in part to save Apollo.

TTT: The camp just accepts him in, weary though they are. Frank in particular expresses concern for him, that he wouldn’t want to live in a world without Apollo.

TON: Any sort of kindness towards him drives Apollo nearly (or actually) to tears (granted this isn’t exactly new). The Jackson’s/Blofis’s willingness to shelter him and Meg despite the danger, treating it as a natural sort of thing that they couldn’t possibly NOT do, Will having gotten clothes for him on the off-chance, on the hope he’d be back and wanting him to have his own stuff - the casual kindness and compassion just continues to drive home to him that THIS is how people should be - including himself.

While Apollo was shown the negative effects of his previous terrible actions, shown why he needed to change, it wasn’t just left at that. Throughout the entire series, he saw, he experienced what being better would actually look like. He wasn’t just torn down, but also built up again at the same time, this time with a healthier view of the world.

That’s one of the things that really stood out to me with Apollo’s redemption arc in particular; while he faces the consequences of his previous terrible actions and mindset, even having them thrown back at him at times, experiencing them from the other side (hello Britomartis); he isn’t treated cruelly by the people around him… pretty much ever. People are temporarily mad at him, but not for more than like, an hour, and they usually come around pretty quickly. (Not counting the people he wronged REALLY badly in ancient times, talking more about current demigods). It doesn’t feel like a redemption arc based around punishing Apollo, but one around changing him.

It’s especially fitting since this whole thing was *supposed* to be a punishment from Zeus, but ended up being far more than that.

I think Apollo put it well here, near the end of TON.

To be honest, though, I could no longer consider my time on Earth a punishment. Terrible, tragic, nearly impossible… yes. But calling it a punishment gave Zeus too much credit. It had been a journey - an important one I made for myself, with the help of my friends. I hoped… I believed that the grief and pain had shaped me into a better person. I had forged a more perfect Lester from the dregs of Apollo. I would not trade those experiences for anything. (TON 373)

[softxhariana]

34+35 live stream

description: ariana’s live stream before debut of 34+35 remix music video.

word count: 2.22k

A/N: little piece based off this live stream that ariana did in the countdown to her releasing the 34+35 remix music video with doja and megan. obvs not included every question but just a few fun bits and harry mentions for you x

also disclaimer, this is NOT real, if u don't wanna read about these two then don't, i’m not tryna act like they’re together it is fiction.

❤ anywayz hope u enjoy luvs xox

❖   "HELLO EVERYONE! thank u for coming to this premier,” ariana smiled sweetly at the camera, as the video cut to a shot of her for the beginning of the countdown.

“we had so much fun making this 34+35 remix video for you, and uhh, we hope you love it.” she continued, playing with her hair. no matter how long she did this for she swore she would never cease to get slightly nervous in these situations. where it was her alone, in front of a camera. but her fans made her feel at ease, and she felt she owed them something, as she hadn’t done many quarantine interviews like other celebs have.

“i thought i would come celebrate and join the countdown with you guys. which is something that I've never done before, but i’m very happy to be here and i was very excited to get some questions from you all...” she held up the sheets of twitter questions she had received, “um that i’m gonna be answering while i’m here so, i cant wait to celebrate this together and countdown and answer some of your questions!” she finished with a smile.

and it was genuine. a real smile that her fans were thrilled to see.

ariana was genuinely so happy and content with her life right now. with her family, her music, her friends, harry. harry her FIANCE!! might she add.

everything just felt perfect, and after all the shit the last couple years had thrown her way, she appreciated the break.

 she got her love back, she was making music that she fully loved, and put her whole soul into, and she had fans who had stuck with her and supported her through some of the darkest times in her life, that were now able to experience her happiness and personal growth with her. so truly, little things like this, felt like the least she could do for them.

“ohh this is a good one because its 34 35 related” she tucked her hair behind her ears, “@noirgrande said ‘ummm its just i wanna the end of 34+35 is it awww shit or nooo shit, i just wanna sing the song right”

“umm it is indeed no shit” she confirmed, smiling matter of factly at the camera before reciting the closing line of the song.

~~~~~~~~~~~

“@arianalocks1223 said ‘will we get to see the track list before the songs release?’” she paused for a second to process - which turned into a few more seconds, she was a bit slow today. she had told harry with full sincerity that she thought it was because she was getting old but he had just cracked up at her absurd statement, and told her that if that was the case he’d still think she was a milf

“you will!” she nodded with certainty, “indeed. ummm... i can tell you them now” she blurted, oops.

“i suppose thats not like... is that against the rules? can i do that?” she turned, to question scooter who was supervising off camera, not wanting to get her label mad at her for releasing too much information, something she has a tendency to do. 

after getting the nod of reassurance from him she turned back to the camera, “so out of ‘POV’, you go into, um, an interlude called ‘someone like u’. after that is a song called ‘test drive’, after that is the 34/35 remix with doja and meg” she smiles lightly, “and after that is a song called ‘worst behaviour’, and after worst behaviour is... a song called ‘main thing’...” she finishes, a shy smirk forming on her face, dimples appearing, “so that’s the tracks.” 

continuing with the countdown, ariana felt her heart warm at the love her fans were giving her and this album. she loved interacting with them and making them happy and proud of her so knowing she had done just that, was an amazing feeling.

“umm hesbloodsline... @hesbloodsline ... i’m really fond of this question because its really to the point, ‘where's the pig and where the fuck is harry?’” she smiled, holding in a laugh.

“piggy’s here, she's great, she's really doing so well and life is really good for her right now, she's really thriving and doing her thing” she ranted, a hint of sarcasm in her voice, “um, i make her big salads everyday that she likes, she's doing really great. she asked me to stop posting her as much because she's actually really offended by a lot of your jokes that you make on twitter, she asked me to have a word with you guys” she continued to joke, well aware that she probably found herself more funny than anyone else did right now.

“she doesn't like the jokes about being eaten, they really hurt her, umm yeh, and she asked me to convey that... no she’s great...” she finally decided to answer, “and harry, is on set today, so um, yeh thats where he is... but don't worry i will tell him to keep you in the loop, i’ve got you” 

ariana unconsciously let a small smile take over her glossed lips when talking about harry. he had been so excited about this new project and seeing him passionate and happy about anything he’s doing, always made her happiest.

~~~~~~~~~~~

“nicole! @nastyctrl. nicole said ‘who helped come up with the concept for the positions music video, love u sm ari’ love you so much to, i love you so much more” she paused, she loved this story,

“um this is actually a really funny story, dave and i had been going back and forth on several different concepts, and i couldn't, like... marry one... i couldn't really, like, really commit to one, i wasn't 100% sold. and it was missing a certain element of empowerment. and i kept, you know, trying to think of things that would make it more impactful cause i wasn't loving what we had...”

“anddd then me and harry were on this huge hike, and he just turned to me and was like, ‘what if you were the president?’ which was like, not at all fitting cause i was dying and complaining the whole time. but i was like,” she tried to imitate a shocked face through her smile and laughed 

“and when i called dave he was like ‘oh... kay, ill call you guys back’ and had the whole production team redo everything, and i had mimi pull completely different outfits and we completely started over cause that idea was what i was, craving and missing. and i was like, wow, thats so perfect” she smiled, shrugging her shoulders, “so yeh, honorary directing credit to harry styles, if you liked that”

~~~~~~~~~~~~

“this is from @borderlinevinyl, who said ‘how much of the album was recorded at your little home studio?’ ummm..” she sang, looking off camera in thought, everything in quarantine had honestly just blurred into one so she was struggling to remember what exactly she recorded where,

“um... a lot of it was... i think i did parts of everything here and parts of things at tommy's i know i did, um, the final chorus ad-libs for positions at home” she began listing in her head, “i know i did all of off the table at home... i know i did the final chorus of my hair at home because we- i-” oops. she had to control the laugh threatening to leave her lips at the lack of subtlety in her correction

“-i got out of the shower and he was like ‘oh your whistles are really here right now’, and i was like y’know what... yeahh they are aren’t they” she laughed as she squinted her eyes and recited that part of the conversation, even trying to imitate his deeper accent.

she had been singing in the shower - as she always did - and harry joining her never seemed to stop her from belting out any whitney or old one direction classic she wanted to. he would even join in sometimes and they'd end up with their own mini concert, dancing around naked, shampoo and conditioner bottles in hand singing their hearts out to everything from high school musical to nicki minaj to fleetwood mac.

while it felt like too bold of statement to make as she truly revelled in and enjoyed everything they did together, showering with him was truly one of her favourite’s. whether it was steamy shower sex that had all glass surfaces in the room fogging up or letting loose and dancing and singing under the pouring water, every moment felt so intimate and sacred. it truly made her feel like they were they only people in the world. 

of course he would claim she was out singing him every time she whistled and would jokingly try to replicate the note but he was truly just in awe off the sounds that came from her mouth (in all senses of the word;)

"-and so i opened ‘my hair’ and just randomly did that” she continued, “um what else did i do here, i did the a lot of the backgrounds and ad-libs for 34+35 here, um, obvious was done at home, a lot of six-thirty was done at home”

caught in her own thoughts she only realised she had probably been droning on for too long when she caught scooters eye across the room and with a blush she shook her head as if to clear it, “this is an annoying answer, everything was kind of all over the place but i did a lot, a lot, a lot of the vocals for the album at the house" she finally finished the long answer, moving on quickly as she realised she didn't have long until the premiere and she wanted to answer as many of the questions as possible.

“ok, second last question from hannah, ever- @everdxystxless, im sorry i don't know how to pronounce that” she laughs looking up at the camera with wide eyes, not sure how exactly how she was supposed to go about pronouncing the username, 

“im sorry, um, but anyway she say’s ‘ari baby, how do you feel about harry getting to do a movie with florence pugh, we know your a big fan of hers, ps. i love you so much!’ well hannah, i love you too” she replies, as she thinks back to when harry first introduced the two, after she had gotten over the initial fangirling, the pair became amazing friends. florence struck ariana as such a genuine, loving person and they shared the same dry sense of humour. plus ariana might of been just a little obsessed with her accent - not that she would ever admit that and scare the girl off.

“and... um, yeah, it literally, made me beyond happy, i was fully like, fangirling when i met her the first time” she laughs as she plays with her hair, “she honestly, probably was like, ‘who the fuck is this girl? what is she doing?’”ariana imitated, a faux scared/weirded out look on her face, playing the part of a mildly pissed off florence - which she luckily had never been on the receiving end of, “im sure i was being the opposite of subtle about it but, no, she really truly is the sweetest, kindest, most beautiful, talented human being” she emphasises, the thought of any news outlets of fan’s trying to spin a ‘jealousy’ story about this making her internally role her eyes,

“midsommar is, like, one of my all time favourite movies, and she's amazing in it, and harry’s like so fucking lucky its crazy. so yeah, thats insane”

~~~~~~~~~

"...so yeah... thank you so much! this was so much fun!” ariana exclaimed as she wrapped up the Q&A, smiling wide at the camera, she knew her fans were going to love the music video and she couldn't wait for them to watch it, plus interacting with them in this way always made her happy.

“i love you guys, i miss you” she reminded, “i am so appreciative of everything you've done for this album, for these singles, for this music. i hope that, um, that this makes you super happy, i hope it makes you smile...we had so much fun shooting it and um, the girls are so fantastic, so i hope you love this and i hope you love the deluxe!” 

ariana didn't know how many more ways she could say thank you and express her gratitude but she still had over a minute and a half so she’d have to come up with something, even if it meant she’d sound like a broken record

“i am so thankful for everything and for the love that you've shown this music i cant even begin to articulate it properly so, thank you! i appreciate it so much” she breathed out all in one, “but anyway, the video should be starting soon, so... i hope you like it, don't refresh! it’ll be here soon... i promise... just don't refresh” she urged dramatically, she was really dragging this out, “but yeh” she got out through laughs “the video should be starting anytime now, i love you guys” she blew a kiss to the camera before moving as close to the lens as possible “byee”.

🖤 there u go!! i hope you liked it, and any feedback would always always be welcomed and so so appreciated pls and thanku x 

[brokedex]

🎥💕💔🏳‍🌈💎📌!! go wild boss

YESSSS thank you for asking!!!

(all of these are answered under the read more for my current hyperfixation, reanimator)

🎥 do you have any favorite scenes from your hyperfixation?

one of my favorite scenes from the first one is when herbert and dan fight rufus in the basement. the swinging light was such a sick choice and the sound design/acting with the rufus puppet makes it so frantic and suspenseful!!

💕 tell us about one of your favorite characters and why you like them!

the titular bride of reanimator!!! gloria my beloved!!!!! she's such a tragic character and I wish she got more screentime. she's very much a return to the frankenstein influence with her similarities to the original creature: someone stitched together from parts who shoulders their creator's high expectations of a person before they're even born!!! neither creator is prepared to accept them as a full person with their own desires and agency and just forces them into a box (the "perfect human" or "perfect lover") then immediately rejects them for not meeting those unrealistic expectations. their violence and anger are results of being born into a world unprepared to accept them. this aspect of their characters also makes them kinda trans-coded to me as well.

on a thematic sense I interpret her as a sort of twisted telephone game of what herbert assumes dan would like in a woman. we've joked about it in the necroprancer fan club (reanimator) server a lot, with herbert panicking: "what women do men like?? ballerinas??? virgins?? LAWYERS??" she's also the deviant yet more desired counterpart to francesca, as francesca is an emotional replacement for meg but gloria is the literal physical replacement with meg's heart!! there's also the subtext of her being the allegorical "marriage-saving child" for herbert and dan. love divorce-coded mad science experiments! all of these expectations are so much for her to bear and I wish she could be allowed to exist as an independent person, but I think her tearing herself apart is still a fitting ending.

I could talk about this for a million years, mad scientists' creations make me cryyyy

💔 tell us about one of your LEAST favorite characters and why you dislike them.

I don't like lieutenant chapman from bride at all. apart from textually being an abuser cop, I don't think he added much to the movie. the acting also felt kinda weird, I feel like he was doing a sort of deadpan performance for most of it, I guess to make him a sort of dr. hill 2? it didn't work for me. I know he acts as an external force acting on dan and herbert to make their lives and building gloria harder, but I feel like he and hill coming back just filled very similar roles and took away time that could be used for better character/main story development. I don't really know why they felt the need to add one villain let alone TWO to bride when they could have had a more compelling story if they just focused on the characters' relationships!

🏳️‍🌈 do you have any headcanons (lgbt, race, neuro, etc) that are important to you?

ohohohoho!!!!! yes! my strongest and most self-projecting hc is herbert being gay and trans because. just look at him. he's also very adhd/autistic to me and I relate to how he approaches social situations and his interests a lot!!

💎 are there any fun facts or trivia that you would like to share?

yes! I'm sorry if you've ever watched either movie with me because I can't stop reciting the trivia. I'll give you a few facts:

• during the shovel scene, the second time herbert stabs hill with the shovel you can clearly see someone using a cup to throw blood on him from the bottom right

• there was originally a subplot where dr. hill could hypnotize people, and though the explanation was cut he seems to hypnotize herbert, meg, dean halsey, and all the morgue zombies anyway

• in the scene where herbert kills the first morgue zombie (played by arnold schwarzenegger's stunt double) with a bone saw, the effect was done by positioning the actor's head above a fake chest and putting hamburger meat on the emerging saw 

📌 how did you find your hyperfixation?

at the beginning of june a few of my friends were getting into it and it seemed right up my alley!! I was also getting into 80s horror as a whole at that time and had just watched the evil dead so I needed more buckets-of-blood popular-with-gays weirdass movies

[mustlovemustypages]

Yuletide 2020 Letter

Dear potential writer,

I truly hope all is well with you and yours. No matter what state you find yourself in, my wish is that Yuletide boosts your spirits and gives you the extra jolt we all could use to usher in the new year. 

Thank you for taking the time to read my letter and thank you in advance if you decide to write anything for me!

Below are my desired fandoms and pairings along with story ideas that I would love to see written. Please don’t feel stifled by my prompts; I’ve also listed my general likes and dislikes at the very bottom of this letter if you decide to go a different route.

Little Women (2019):

Characters: Amy March and Theodore “Laurie” Laurence”

The main reason I adore this adaptation is because it made me see why Amy and Laurie ended up together. They had very similar worldviews and fit so well what the other needed. Both deserved to be with someone that valued them for who they are. With Laurie, Amy was not just financially secure but with someone who encouraged her to express herself creatively, politically, or however she chose. With Amy, while she grounded Laurie in reality and challenged him to be the best version of himself, he didn't have to fundamentally change to make her happy.

Story ideas:

These quotes really show how Amy's perspective on life was different than her sister's: "You are your family's hope." (Aunt March) "I’ve always known I would marry rich." (Amy March) That's a lot of pressure on someone so young. We heard some of Laurie's thoughts, mostly that he didn't think Amy should feel ashamed for wanting that. How would some of that pressure continue even after she got married, and what would Laurie say to make her realize they were in life together as a team and she didn’t have to suffer the weight of the world alone?

The conversation between Amy and Laurie in the painting studio showed just how level-headed and intelligent she was. Laurie, while not wholly agreeing, was respectful and didn't discount her thoughts. It would be interesting to see the impact on their story if Vaughn hadn't arrived, and this had played out more. Would the proposal have happened earlier and/or how would later scenes be altered as a result of further conversation?

What did the other characters think of Amy and Laurie's relationship, and how did it change after seeing them interact more as a couple? It would be interesting to read about Meg, Marmee, John, or some of the other characters realizing they were genuinely a good match for each other.

Post-canon, I'd love to get a glimpse of what kinds of conversations they had. Did Amy encourage Laurie to pursue a career and find what he was passionate about (music perhaps as Laurie mentioned writing an opera)? And similarly, did Laurie encourage Amy to pursue her art? Did they continue to have in-depth conversations about societal pressures and expectations of gender in certain economic classes?

Tenet:

Characters: The Protagonist, Kat, and Neil

Tenet is the first movie I've seen in theaters since Star Wars IX. There have been some mixed reviews, but my love for Christopher Nolan sci-fi films combined with the experience of stepping foot in a theater again made it a wonderful experience for me. Sure, the plot could be confusing at times, but it was fun trying to fit certain puzzle pieces together and oh so thrilling when things just clicked into place in the most satisfying ways.

I adored the dynamic between Neil and the Protagonist. The easy friendship, the banter, the suits... everything. I also loved the relationship between the Protagonist and Kat. It started off as each using the other but transformed into one of genuine care on both sides. Ever the romantic, I definitely saw something more than just friendship between the two and was slightly disappointed the movie didn't explore that aspect more.  

For pairings, I’m interested in friendships between all of the characters. I’d be interested in seeing a romantic relationship between Kat and the Protagonist if you’re up for that, but not between Neil and Kat, nor Neil and the Protagonist. If you really want to give a romantic partner to Neil, I'd be fine with Laura (or an original female character if she’s not the focus of the story), but please, no slash. While I’d be ecstatic to see all three characters together, if you can only find a way to fit in two, that’s wonderful as well!

Story ideas:

Even though Andrei Sator is gone, there are still other players in the game, some like Priya, who want to eliminate Kat or even abduct her with the delusional idea she can continue her husband's work. The Protagonist (and Neil, if you so choose) ensures no harm comes to her, and he realizes that keeping her at a distance may not have been the best idea.

I personally don't buy into the fan theory that Neil is Kat's son Max; however, I do find the idea intriguing and would be up for reading about how that worked. The Protagonist breaks his rule and sees Kat, helping to raise her son Max/Neil and eventually teaching him about inversion.

The Protagonist doesn't have to wait quite as long as he'd thought to see Neil again. It can be the Neil who had already met him and knows about Tenet or the Neil who knows nothing about inversion.

What conversations did Neil and Kat have while the Protagonist was asleep after almost freezing to death? Maybe Neil explained the finer workings of Tenet and inversion more in-depth. Perhaps they discussed the Protagonist. 

Clueless:

Characters: Cher Horowitz and Josh Lucas

This movie set the bar high for teen romantic comedies. How can anyone ever beat 90s Alicia Silverstone and Paul Rudd? Plus, the relationship between their two characters is fantastic. Josh and Cher just bring out the best in each other. Cher shows Josh that he doesn't need to be so serious all of the time and that people are more than their outer appearances. Josh makes Cher want to be a better person, and he believes that she's not just a pretty face. Their banter and playful moments always make me smile.

Story ideas:

Knowing Josh and Cher end up together, this brings a heightened awareness to rewatches. They have so many casual touches and exchanged glances (when did Paul Rudd's eyes get so blue?) that it's hard to miss their natural chemistry. It may take quite some time for Cher's dad to notice anything has changed because they don't act all that different from before. Is there something that makes him finally take notice? How does he react?

Sort of related to the last prompt, there's a moment where Josh decides to go to the dance to keep an eye on Cher and Christian, and you can tell by Mel Horowitz’s smirk he realizes Josh has a crush on Cher. Does he do anything to push it along or play matchmaker just like his daughter?

I've always been curious about whether or not Josh believes Cher's story about being assaulted in the car by Elton and then held at gunpoint. We skip over Josh pulling up to the phone booth and go straight to Cher already being in the car. How did Josh react when she reiterated the story, and does he instantly believe her, or does it take some convincing? I'd like to see if he comforts her and if they both go together to tell Cher's dad what happened.

Cher is obviously very intelligent socially, if not always so much academically. When it comes time to apply for college, what does she major in? And how is Josh a positive influence in Cher's life, encouraging her to be ambitious and not letting negative comments from guidance counselors or teachers dissuade her?

Things I don’t like:

Alternate Universes – For the specific fandoms that I picked, I really like the universes as they are. I’m definitely okay with deviations from canon, but please don’t make Little Women into a supernatural werewolf story or have Tenet take place in a mundane coffee shop setting. (I don’t mind Soulmate AUs or something similar because those can be incorporated into canon with little change to worldbuilding).

Non-Con/Rape/BDSM/Sexual Violence/Graphic Sex – I like my characters to be happy and everything within ships to be 100% consensual, no question about it (mentions of non-con if it occurred in canon is fine). I also prefer plot over porn, especially with one-shots.

OT3s – Two people per romantic relationship, please. Any more than that makes me uncomfortable.

Character Bashing - Unless a character is a bad guy in canon, I don’t want to read hundreds of words about how awful they are, especially if they are one of the characters that I requested. Don’t take it out on the characters. If you hate my pairings, just write gen.

Things I love:

Hurt/Comfort – There is nothing I love more than one character comforting another. The hurt can be physical, psychological, or both.  

Happy Endings – I’m all for the realistic endings… but if they could be plausible AND at least happy-ish, that would be amazing.

Expanded Scenes/Contorting Canon – Feel free to expand scenes and change up the canon to your heart’s content as long as it makes logical sense.

Humor/Banter/Snark – I thrive on this stuff.

Bonding/Building Relationships – Whether it be a friendship or a romantic relationship, I adore reading about two people growing closer together. When characters know each other so well that they can have conversations with just their eyes or anticipate the person’s next move (especially if it’s to the surprise/confusion of everyone around them), my shipper heart is thrilled.

Dark to Light – Seeing a character come out of a bad mindset or situation and get better is so satisfying.

Happy writing and I hope you get the Yuletide gift of your dreams!

- Maddy @mustlovemustypages (on Tumblr, Ao3, and FF.net)

[wendibird]

SPN 15X17 Observations

Well, watching this week went pretty smoothly (and I was actually able to get my little bluetooth keyboard thing to talk to my tablet so I was able to watch on my big TV screen and type up notes fairly easily. :) 

And just to clarify, sometimes my notes as I took them were VERY brief, and in some cases I’ve gone back and added in a few details or explanations to make clear what I meant by what at the time. 

I’ve also come to the conclusion that I don’t always remember to take notes, especially if Important Things are happening. (Do people even like the notes section? Or would you just prefer reading my odd takes on everything after the fact?) 

Anyway, here’s what I have for 15X17 “Unity”. Well, I do have more thoughts drifting around, but I’m always concerned that I’m going on too long as it is. *LOL*  (Under the cut for length and spoiler aversion)

Okay, going in I’ve heard rumors that this is a “Sam Heavy” episode, so we’ll see. *fingers crossed* 

- wow, is Chuck starting in on this world already?

- Silent treatment.

- I wonder if she’s guessed.

- fuck you Dean!

(but I’m not surprised. it just confirms what I’d already suspected about how Dean really feels about Jack.)

Commercial Thoughts:

Yeah, so, I’m firmly in Sam and Cas’ camp here. Jack may not be family to Dean, but he is to them. He’s their Son. 

I also think that though he hasn’t talked about it, Sam regrets his part in the Drama Coffin plan involving Jack last season. Think it’s one of those cases where he realized too late he was on the wrong side, and he doesn’t want to be there again.

As for Dean… I get that he wants to see the people he cares most about make it out of this. (Sam and Cas.) And I get he’s doing the tunnel vision thing. I think he knows that Sam’s right but he won’t let himself admit it.

- Wow….. The fanangels are kinda creepy.

- They’ve lost all their nuance with Chuck. Or my theory is right and Chuck has actually shifted darkside.

- Oh wow…. Amara is really going to bat here.

Commercial Thoughts:

Still not sure how much she’s (Amara) really guessed. She’s acting as though the whole “trapping him” idea is still a go, but what she’d said to Dean, as pointedly as she did, it seemed like maybe she suspected what was really going on and was still trying to give him the option to go a different way.

And even if this is Chuck having shifted dark, it could still be written with more nuance than this crappy villain schtick.

I mean, even in S11 when he’s all but given up on humanity and existence and was going to let Amara win, it was written with there being a depth to him about it.

- Don’t know if Dean’s trying to convince himself that he doesn’t care as deeply to make this easier or what.

- HOw is ADAM still alive?! And she’s an angel?

- Interesting behavior for an angel. *LOL*

- “Then he moved on to our sons.” Hints of Cain and Abel?

- Okay, so the angel kept him alive. (Sure, I can buy that.) 

- Pretty Crystals!

- He’s (Dean) heard those lines before. And Dean’s feeling uneasy about it.

- Amethyst! (Sorry, always had a thing for Amethyst and it’s my birthstone)

- (oh, okay, all of them)

- Ewww….. Open heart surgery

- Rib!

- Dean doesn’t like being rail-roaded.

- Talk time.

- I don’t like this…… (Jack using the rib and starting the suicide-bomb process.) 

Commercial Thoughts:

Okay, so, what Dean said, I’m glad he said it. And I have been getting hints of that feeling from him the whole season, about feeling disconnected because of what they found out about Chuck and their lives. I just… I still think he’s willfully blinding himself to what’s really going on. That even this version of “Free Will” is a script that he’s following. (Well, I think he’s starting to have misgivings about that.)

- Uh-oh! Ideas! 

- I love two researching nerds!

- Were we supposed to understand the Latin? *LOL* I caught “Mortem” in there a few times.

- Yey door!

- “your internal compass is functioning perfectly”

- I LOVE THEM SO MUCH!!!

- Who dat?

- Dead someone or other

- W section.

- Reapers maybe?

- Who’s thinning the ranks?

- Empty!Meg!

- Sam is good! (At bluffing the hell out of an ancient cosmic being.) 

- IT’S A LITTLE LATE TO STOP IT!!!!

Commercial Thoughts:

*FREAKING OUT!!!*

Jack already started it! OG!Adam said that once started the reaction couldn’t be stopped.

Okay, deeper thoughts. Everyone’s playing chess. Still. The game is just bigger.

OG!Adam wants God dead because of stuff that happened. And Billy is following his plan? (Did I get that right?) The plan will make Billy the next God. (Not surprised there honestly.) Her world will be a lot more “orderly” no doubt.

The Empty just wants to sleep. (Honestly, can relate.) 

But everyone’s just using them all as gamepieces again. Dean’s getting that feel from things OG!Adam and Whatserfaceangel said. Sam knows now too. They’re still stuck in someone else’s story. They’re still not gaining true “Free Will”. I’m hoping that the route they take will actually get them off this train track.

- DUDE - WHAT (was in reference to Dean pulling a gun on Sam)

- Go Sam! He’s not letting this one go. (Referring to my feelings on Sam feeling bad about Jack and the Drama Coffin thing from way before, and him NOT settling for Dean’s plan this time, him sticking to his guns and saying what he feels and taking action.) 

- Chuck played her (Amara) too.

- Not again! (Oh Jack, will this forever be your fate?)

- FUUUUUUUUUUUUUUUUUUUUCCCKKKKKKKK!!!!!!!!

Holy shit! That episode!

Okay, it actually did a good job of wrapping up a lot of ideas. Like, big-picture ideas that have been themes throughout the run of the show. 

Also, apparently this was the only world where Cas and the Winchesters broke the mold? Didn’t play by their roles?

Also, minor point but it made me happy: Chuck pointed out how it’s Sam who needed to find things out. Sam who kept digging. I made mention of it last episode how Billy kept going to Dean, because he was easier for her to manipulate. But Sam asks more questions. I think part of it is what Cas said about his internal compass. I think another part is his experiences. He’s been the brunt of the cosmic plot-lines a LOT of the time. So he does keep asking questions because of all the times he hadn’t and things went badly. (Like end of S4 with killing Lilith.) 

And let me be clear, it’s not that I think Dean is dumb. He isn’t. And he and Sam both make decisions a lot based on their feelings. (Sometimes it’s all you have to go on.) But he’s shown a tendency in the past several years especially to be more likely to make them based on anger. And he doesn’t get called on it often. And I don’t know if this is TOO meta (is that even a thing with this show anymore? *LMAO*) but I feel like part of that is written into the script. Of their world. Even when Dean’s wrong he’s often proven “right” by the narrative. He very rarely is made to face up to his mistakes. (Not saying he never is. But it definitely doesn’t seem to happen as often.) And I’m wondering, is that because up till now, he was Chuck’s favorite? We saw that Chuck can manipulate a LOT of things. And events, and even some people. 

How often have we noticed and commented on how the Narrative backs Dean up so much of the time, even when he might be in the wrong? Or even just questionable? Or morally grey? How much of that is possibly now supposed to be due to Chuck’s meddling? Because I’ve also seen it mentioned (and have also noticed) that although Sam winds up the “wrong one” a lot via the narrative, he’s actually HAD to learn and grow because of that. But because Dean is rarely shown as wrong, he hasn’t had to, and his character has stagnated a lot in the last several seasons. Of course, in reality, that’s due to the writing/show-running/powers-that-be making those decisions, but in-show could it possibly be something to do with Chuck? Maybe at first because he liked Dean more? But as time grew on, and he kept trying to set up his Cain and Abel plot with them, maybe it was to reinforce Dean’s self-image that he’s Right? 

And also by contrast, we had the end of last season where so many of Sam’s decisions which had been made with best intentions and best information/resources at the time wound up blowing-up in his face. As if to say "Ha-HAH! That's what you get for thinking you could lead people! That's what you get for thinking you could save Jack! That's what you get for thinking someone like Nick could be redeemed! That's what you get for talking your brother out of the Drama-Coffin plan!" It felt like it was specifically intended to make him severely doubt his own judgement. And it worked. After all that shit went down, one thing after another, culminating with their mother's death, he didn't trust himself. He didn't believe in himself. So he put all his trust in Dean. And Dean was full of RAGE. (I don't blame him. His Mom has been a keystone of his life, even when she wasn't there.) But Sam didn't give the objections he normally would have to Dean's plan to box-up Jack. Even though it was CLEAR how much he didn't like it. How wrong it felt to him.

Basically, what I’m trying to say is, I think Chuck has been nudging and manipulating a LOT of things in order to get the Winchesters to behave how he wants them to. 

IDK. My head is hurting from some of these meta thoughts. *LOL*

SO! Back to what happened in the actual episode.

I thought the format was interesting, focusing in on the different POV characters for their spans of the story until it all came together. (Wondering if this is going to continue into the next episode…) 

I liked that we got a lot of reveals about what is (possibly) really going on, in regards to the grand schemas. Because there are several at play here. But now we're at least getting glimpses of them. 

Even though we didn't see Billy, I thought the reveal about her plans were interesting, but definitely fit with her character as established so far. I know a lot of people are saying she's gotten drunk with her power or she's "turning evil" but I don't think that's the case. It's true that she hasn't told them everything about her plans, but that's because she's also using them as pieces in her game. But her goal is the same as it's always been since we first met her. She has ALWAYS been about the Natural Order. She never liked how the Winchesters (or anyone else) flaunted death again and again. So once she's in charge? Everyone and everything goes where they belong. The demons stay in hell, the angels stay in heaven, souls go where they're meant to, people from other universes go back (even if there's no universe to go back TO. Tough shit, they'd be dead anyway according to her) and those who have already died and been resurrected? They go back to wherever they should be. (At least, I THINK that was the implication made, with Sam asking Dean if he'd be willing to trade HIM to take-out Chuck. Sam was definitely realizing a LOT when Empty!Meg told him what Billy's plan was.) 

This isn't her turning Evil like has been done with Chuck. It's more, her becoming a more extreme version of what she already was. When she got her promotion, she found out a LOT more things. Including this option of events for taking Chuck out and putting things back to how they belong. And it even started with Dean's aborted Drama Coffin plan. Which eventually fails, because Sam, but it then leads to Jack sacrificing his soul to take out AU Michael, which eventually leads to Mary's Death and Chuck's opportunity to manipulate things more and so on and so forth until we wind up here. 

(Also, just wanna say, absolutely LOVED Rachel as the Empty again!) 

And also, having just watched that scene again, can I just say again how awesome Sam is? He straight-up told the Empty that even if he WAS lying, their best bet is to let him go with the book. And it couldn't really argue with that because he was right! (Well, if it had killed him then and there, Dean probably wouldn't have known right away and probably would have been able to carry out the plan. So there is that. Buuuuut none of them knew that either at the time.) 

And in general, I love how Sam just would NOT give up. This is the Sam Winchester I've come to love. He could feel in his bones that this plan was wrong so he was doing everything he could to not only stop it, but to find some other way to get what they truly wanted. 

I also loved his and Cas' interactions. They were supportive of each other and both were trying to find a way to save their son. (Dean has officially forfeited his Dad-Card in my book. Hell, in his book too.) Also, I remember hearing someone from production, or who was maybe on set or something mentioning something about the Holy Grail in this episode? Well, in that scene where Sam and Cas are looking through those old crates and trunks and boxes, when Cas finds the key Sam is holding this really old looking chalice. Wonder if that's supposed to be what that is. *LOL* I mean, the Spear of Destiny (or at least, the head of the spear) was there in the Bunker, so why not I guess? *LOL*

We didn't get a lot of Sam and Jack interaction, but I liked what little we had. Sam made it clear to Jack that he wants to save him. (I'm really hoping we get SOMETHING more of them in the next episode or two but... yeah. Not a lot of time left.) 

I could go on for some length about my feelings on Dean and how he's been this season. But I don't want this to turn into a fully anti-Dean rant. I will say though that I'd definitely gotten the impression before this that Dean has different categories of people he cares about, and in his mind, he also has them ranked according to how expendable they are. And I'm not just talking about Jack here, though he is a major part of it. But at the end of the episode when he and Sam are having it out, Dean says he's basically willing to sacrifice EVERYONE to get what he wants. 

(I don't think he's actually willing to sacrifice Sam for it though. And yes, I know, he was waving a gun in Sam's face. But I don't believe for a moment he had any intention of killing his brother. Not when Sam asking point blanc if Dean is willing to trade him for killing Chuck, and that seems to be what causes Dean to start listening to what Sam's saying. Also, in the past, Dean hasn't been above threatening people to get what he wants. Like with Kaia. Also in S8's "Trail and Error" when he and Sam were talking about taking out the hellhound, Dean pretty much said if Sam even tries to get close to it, Dean would shoot him in the leg. Now, we never got to see if he actually would have or not, but regardless, it was a case of Dean being willing to hurt Sam a little in order to protect him from something he saw as a bigger threat. In that case it had been taking on the trials. In this case, it would have been to win their shot at freedom. At least in Dean's mind. Not saying I approve! Just, I think that's where his mindset was.) 

And this is a far cry from the Dean who, just a few years ago was willing to be a kamikaze bomb in order to save the world. And yes, Dean has mentioned "Saving the world" this season too. And I'm sure he means that too. But when he was at his most emotional, what he was talking about wasn't saving the world and everyone in it. It was freeing him and Sam from being Chuck's entertainment. And he's willing to sacrifice nearly anyone to accomplish that. At least, he was up til now. I hope that they're going to give him a change of heart before the end because I really REALLY would like the show to end with me not despising Dean and what he's become. Yes, I'm a Sam-girl, but I do care about Dean too. 

Also, I feel bad for Amara and what wound up happening with her. Like many other characters, she fell victim to Chuck's manipulations, and now I'm guessing he's even stronger than before. But also, Chuck wasn't the only one manipulating her. And maybe if they, (Dean especially, since she had a soft-spot for him) had actually been trying to find another way earlier, she wouldn't have fallen to despair when finding out the truth. 

Aaaaaanyway, I think I've rambled enough about this episode as it is. Thank you to whoever actually bothers to read all of this. *LOL*

[nileqt87]

Despair For Castiel: A Review

From a series of posts before and after watching:

Before:

As far as I'm concerned, I'm now imagining the Empty having to deal with Gabriel and Balthazar redecorating the Empty into the angel/demon afterlife (probably with a lot of wacky alternate realities and bad porno) with all the free will angels and redemptive demons invited, Cas finding Meg and eventually Jack again for his true happy ending that he can have and Crowley probably trying to install himself as king again. Then when Rowena finally exits as Queen of Hell, she'll join and Crowley will annoyed, but Gabriel will be happy to see her again. LOL.

Megstielers also got robbed hard with all that setup of Cas still pining for Meg for YEARS, the Empty using her image (not Dean!) to taunt him (the Empty clearly saw Meg in Cas' head when it could have taken the form of anyone, including Cas like last time) and a whole dropped plot thread that Cas made a deal with Ruby to break a demon out of the Empty, which only makes sense with the one and only demon he'd actually want to let out of the Empty. That's dangling one 'ship a whole bunch of carrots (like every single Clarence reference for a decade) to rip the rug out from under them.

I suppose I should've seen it coming when the previously on segment for 15x13 was a Pizza Man and the Babysitter retrospective that shoved Cas out of the Pizza Man role beside Babysitter Nurse Meg to shove Dean into Megstiel's sexy times meme. I guess it turned Cas into just Dean's Baby in a Trench Coat (which was an insult about being useless to Dean's cause without powers, which suggests Cas has no worth to him otherwise), since he got infantilized with the removal of the Pizza Man originally being him.

I still haven't watched the episode. The Tumblr crap is that off-putting.

What should've been an epic moment in Cas' story is now tainted by his love of humanity, found family and free will (his real love story is with all of humanity and finding belonging, in spite of always being on the outside looking in on a life he can't have because he's not human) being reduced to horny girls who just want fetish smut with Dean and don't give a fig about canon Cas outside of a toxic, abusive crack!ship. It's always so immature and vapid!

It was immediately clear when I joined the fandom that shockingly few gave a crap about any character but Dean, even refusing to see what he's become in later seasons. Also numerous examples where they admit having not seen the show in a decade or only knowing the show via manipulative .gif sets. Cas and Sam (if they remember him at all) are just props or prizes to be won. They ignore context of familial/platonic relationships. Canon love interests aren't good enough because they're not the big prize of being a main. I also note the deluge of Wincest girls who hate Cas for existing (he's in their way) in the anti-Destiel tag.

I can't say the .gifs are making me want to watch, even though the dialog is vague enough to still fit Cas' actual character for the general audience who isn't glued to social media.

As for Dean's non-reaction, I had similar problems with Jensen's constipated acting back in 15x03 when Cas finally walked away while Dean looked like he couldn't care less, which the writers coincidentally praised Jensen for (holy crap that interview was up his backside) and completely ignored Misha actually giving a good performance in a scene that actually meant something long coming for Cas. I certainly can't say the same about the quality of this scene, which just looks forced on both ends.

I hope I like the episode more than the sounds of it, but my hopes aren't high. This is not how I wanted Cas' final moments on the show to be.

After:

Well, I got up the stomach to watch it tonight. Thankfully, in context, it definitely got blown way out of proportion by what the Hellers turned it into (as usual). Yeah, even when watching while unfortunately not blind to the wackadoodle fandom discourse, it played out better on screen than the .gifs. And frankly, a whole lot less like creepy Care Bear stare nightmare fuel than the few choice screenshots kept showing (yikes). I still wish Sam and Jack had been there, because they're just as much part of what connected Cas to feeling like part of a family (even more so in the later years), but it's not the total monstrosity it was turned into online.

Average viewers who just take canon as is without trying to read into it what they want to be there instead, IMO, will safely interpret it platonically (even if coming after a particularly hellish few years in Dean's personality rot where the whole friendship was beginning to be questionable) more often than not because that's what the canon has said for a dozen years. Again, I repeat that Cas already told the Winchesters he loved them when he thought he was dying.

It's a crime to have Cas' perfect philia (brotherly), storge (parental) and agape-style (sacrificial and unconditional) loves being immaturely twisted into eros in a way that degrades the whole meaning of the character's journey. People telling each other they love one another when it's not sexual should never be mocked into being afraid to do so because of this insidious, willful misinterpretation. If only somebody had told Cas they love him instead of him always being the one with his heart on his sleeve!

This character went from being tortured into a robotic, emotionless, ancient, not-remotely-humanoid being who couldn't relate to the simplest of human needs to being someone deeply in love with humanity and wanting to find belonging amongst it despite knowing it would always end with him watching them all grow old and die after having families and such experiences angels are forbidden from having (another reason why Jack was so important to Cas' story).

The wording is valid for that philia/agape interpretation, given Cas definitely equated Dean (whom Cas watched sacrificing himself for Sam endlessly, including why he had to be raised from perdition in the first place) with a guide role in his learning to understand humanity and proudly-defiant free will before he could love it. It's valid enough to say that Cas wouldn't have broken his programming permanently without being challenged to question everything he'd ever believed and give up his entire angelic belonging. That much of it did begin with Cas just happening to be the angel who succeeded in the Hell rescue.

Obviously, it's also canon that Cas had a long history of not following orders and getting lobotomized by Naomi, but Cas actually understanding humanity and what free will means did happen only after this particular rebellion. I'm very glad at least that was in the speech, but of course, it's being hopelessly ignored.

I stand by my interpretation that what Cas can't have has always been the tragic version of The Little Mermaid where she turns into sea foam in the end. Cas has always looked in on what everyone else takes for granted from the outsider's perspective. There's a part of him that will always be left out, no matter how well he learns to fit in and how much those around him begin to treat him as a real person. Cas never really got to truly belong with humanity, no matter how much he loves and is loved by it. He's also not getting to stay where he wants to be. There's no Pinocchio ending for Cas that turns him into a real Winchester.

Sadly, Dean's constant othering of him and Jack like they're just more monsters to hunt only alienated them more. Jack was someone Cas could relate to as a supernatural being capable of human emotions, which might also have furthered his draw towards Meg. Sam was also someone Cas could relate to as freaks and abominations amongst their own kinds. Sam always had that same struggle, also with his own family. It goes a long way towards explaining why Sam was always so empathetic to Cas and Jack in a way that Dean couldn't be. All three kept conflicting with that black & white humans = good/other = bad mindset that sometimes creeps in with Dean. When Cas was Dean's "best friend" in the early days, he rationalized it by thinking of Cas as being "like" a human ("You used to be human, or at least like one.").

Yet it still remains true that Cas often found himself looking to Dean to teach him about humanity back when he didn't know enough about it to be inconspicuous amongst them. Dean gave him the crash course in both what humanity is willing to do for each other, but also its flaws and failings at the same time.

Perhaps the saddest scenes in the episode were actually Sam watching everyone poof in front of him. Sam has really been forced to watch a lot of death scenes this season all by himself (as with Rowena), but he looked the most broken by Eileen's. Cas is going to be hard on him, because I genuinely think Sam was far closer to him in the end. Sam was the one who actually was trying to reach out to Cas when Dean repeatedly kept him out of the loop. Sam being left out from the final words with Cas or even hearing first-hand about the deal with the Empty just furthers that tragedy. While Dean has been raging at everything in sight, Sam and Cas have both looked broken, sad and tired all season.

[clumsyclifford]

6, 12, 14, 15, & 21 for the writing asks? -megs 💙

hachi machi okie dokie how many more nonsense rhymes can i say ok that's it great let's go

6. What fic is on your back burner, waiting to be written when you feel your skill matches its potential? answered this one here! i'm SURE there are more though let me check my fic ideas doc (fun fact my fic ideas doc is still called "Malum fic ideas:" from back in the early days of this blog when i was chiefly writing malum because of helen). oh! well. the major league baseball au is still uh, kinda back burner-y. that's another one that i started and then ran face first into a wall known as The Wall of Trying To Realistically Represent A Situation I've Never Been In But Also Include Romance Which Would Not Typically Exist In This Setting So I'm Really Setting Myself Up For Failure Here it's a really annoying wall i know hazel hits it too so i'm just ignoring it for the moment. i also think a castaways fic (the concept, not the song) would be really awesome but tricky because, once again, i've never actually BEEN a castaway, and my knowledge of the topic is pretty heavily based on the book hatchet so like. yeah. i have a lot.

12. Where do you commonly find inspiration for your stories? everywhere! i saw in your answer you said you hear song lyrics and think they'd make good fic titles, i do EXACTLY the same thing (hence the doc "good lyrics for titles"). one day ill make that doc into a prompt list and post it on here and just fuck myself over. previously ive gotten some inspiration from movies but i shortly after completing baby driver au i realized that was a fluke and that in general i am pretty bad at making fics out of movie plots because i am very bad at remembering salient details about movies in the order that they happen. like i started a robin hood (2018) au but barely got anywhere with it because i realized i had never actually understood the plot well enough to write it. i would say the things that inspire me the most are songs (we know i loooove a songfic, mostly bc they make the job so easy by just laying out the plot and vibe for me) and also things that happen to me and feelings i have about those things. unfortunately many of my experiences are not universal (hello jewish summer camp) which may be part of why i've had so much trouble coming up with ideas lately. but as soon as i'm back at school i get the feeling i'll be doing fine again.

14. Share a few sentences of what you’re currently working on? what AM i currently working on? technically speaking i'm kinda sorta working on two things but one of them just doesn't have a good snippet and i don't wanna do a Reveal yet so ill give you this one instead, from a fic i might never even post:

“Oh, I meant to tell you, my mum called earlier, she asked if you’re okay.” Ashton’s mum always asks if Luke is okay. Exactly that way, is Luke doing okay?, like Luke gives off some kind of not-doing-okay vibe. He suspects it’s a leftover instinct from his and Ashton’s mutual breakdown a few years back, but honestly, he’s doing better now. It’s sweet of her to ask, but she could just ask about him the same way she asks about Michael and Calum. How’s Luke? would be fine.

“I am great,” Luke says. “How’s she? Is she okay?”

“Yeah, she’s okay,” Ashton says. “She’s started taking Harry to look at some universities.” He pauses. “University. You know? What the fuck?”

“No way,” Luke says, and tries to work out if he’s meant to be surprised by that. He can’t remember how old Harry is. Clearly almost uni-age. Ashton’s told him this a million times, but Luke can’t keep track when the answer keeps changing. He doesn’t want Ashton to think he’s forgotten, so he just says, “That’s insane.”

15. What are some of your favorite tropes to write? Do they match the ones you read? answered this one here as well! i've managed to get unbelievably long-winded answering every single one of these questions so far so i won't write another answer for this one

21. Do you have any stories you’ve written completely but never posted? Why? Please tell us about them? yes!! i have a handful. let me hunt them down. okay final answer, i have five!

one is an au based on the prompt "we’re at a party and someone asks what your type is and you describe me perfectly while staring right at me” which i never posted because i wrote it a while ago and honestly i don't think it's good enough to post. also i kinda don't like the background character i made jack barakat. i could edit it. but. ehh

one is a fic that is set in the daydream jalex fic 'verse, but the only way it's relevant to that 'verse is because it has ace!jack, and it's highly personal and probably the most projection-heavy fic i've ever written and i never posted it because i'm nervous to be Known like that lol

one is technically emo lashton, but not actually set in the emo lashton 'verse that i've created, and that one is ALSO one of the most projection-heavy fics i've ever written. it's usually the fics that are full of projection but in a specific way that i think isn't really relatable that i write but don't end up posting. it's a good fic honestly i wouldn't be against posting it i just never have. also partially because i'm between two titles for that fic lol

one is.......something that was originally going to be set in a different fic universe (for a fic i havent posted or finished writing lol), but now i don't know if it will necessarily fit in that 'verse, so it's kind of its own very short but complete thing. i never posted it because (1) it's super short, less than 1k, and i don't like to post stuff that short, and also (2) just in case it DOES fit the fic 'verse, i don't wanna give away the ending, lmao

and lastly there's a fic i wrote in an excited haze when sam and meghna and i made the ssf and the aces plans, which is like, ot4 meeting but they're all internet friends. guess what inspired that. i'll never post it because it really wasn't written with the intention of posting it, i sent it to sam and meghna and they were the only people i wanted to read it and they have so <3

writing asks

[gamelpar]

It’s All About Fakes (100 sentence prompts fanfic)

Because I suck a writing even short stories or drabbles, I write 100 sentences prompts for the Fake AH Crew instead.

Some of them are inspired by moments in Let’s Play videos, headcanons, social media posts, or just comes straight out of the blue.

Feel free to take inspiration from the prompts or use them.

Prompts are written from a non-shippy perspective, but each prompt can be intercepted in whatever way pleases.

Also my first work, so let’s see how this goes.

Hey, why don’t you read it on AO3 instead?https://archiveofourown.org/works/24787825

1. How the Fake AH Crew got this far is a hell of story, and you can bet it’s one damn worth telling. (Fake it Til’ You Make it)

2. Ray was a sniper; he could spot bullshit a mile away, so how come he ended up in the Fake AH Crew? (On the Spot)

3. Sitting by the wheel of the red minivan Geoff sighed for the 67th time that day, still disbelieving the fact that they were not on their way to carry through a well-planned heist but rather enroute to the beach for some “splashing and slacking”, as Jack had called it. (Sunday Driving - To the Beach)

4. “The Vagabond says: it’s all gonna be murder.” (What the Vagabond Says)

5. Whether it was the Golden Boy or Gavin; Mogar or Michael; they wouldn’t leave each other behind. (Bois Forever)

6. Lindsay---being an absolute goddess as always---supports Jack in her telling for Fiona, and Jack couldn’t have been more grateful. (Women’s League)

7. Matt screws something up; Trevor is there to help him fix it; then Gavin and Alfredo is there to screw it up even more. (Nice Job Breaking It)

8. It’s Bake a Cake Day (according to Gavin) and it’s Gents vs. Lads (insisted by Gavin) and it will also be known as the day when Geoff’s kitchen met its undeniable demise (because of Gavin). (Bake a Cake Day)

9. Long story short: Michael breaks into an animal adoption center for a cat because Lindsay, and Gavin and Ray tags along because why the fuck not. (No Animal Came To Any Harm Except For Gavin)

10. A heavily tattooed man walks into a bar; later, a mad man and a lady in a Hawaii-shirt joins him. (It’s Not a Joke but the Punchline is Fluff)

11. Lindsay and Jeremy have dealt with shit going sideways longer than most people so they know how to make the best of it. (Failure is an Old Friend of Mine)

12. “I hereby announce that the official Prank Wars Week is in session!” (Oh No)

13. The Vagabond might be ready to die, but Ryan knows he’s not. (Ready as I’ll Ever Be)

14. The Lads---and Geoff---gets drunk as hell one night and starts a sock company. (Socks, There’s Socks Everywhere)

15. A boring Fake AH Crew means a dangerous Fake AH Crew and the residents of Los Santos better prepare for chaos. (Boredom Can be a Health Hazard)

16. Ryan gets hiccups and Ray thinks it’s funny until he gets hiccups, too, and soon everyone is stuck with hiccups and everyone blames Ray for some reason. (The Hiccup Disease)

17. When dawn arrives the Fake AH Crew will never be the same again. (Dawn After Battle)

18. Shopping weekends was nothing Lindsay used to do regularly, until Ryan one time decided to come along; then it became a thing. (Stuff We Do Together)

19. Even after leaving the crew, Ray would still have a home to return to. (Home is Wherever You Make it Be)

20. “No---we’re not twins, we’re not brothers, we’re not related in any way, so please for god’s sake, stop asking that.” (Stop the Questions Goddamnit)

21. Jeremy tried to apply more pressure to the wound but as the time on the bomb was running out, so did the blood. (A Mistake You Won’t Live to Learn From)

22. Someone knocks---no, pounds on the door to Ryan’s apartment at 3AM in the morning and Ryan’s still not that happy to being woken up in the middle of the night even if it is Meg waiting behind the door. (Late Night Visitor   or   Expect the Unexpected)

23. “Hey, guys, Fiona here---you’ll never believe this---but I’m stuck in jail and I need one of you to come and bail me out.” (Let’s Bail)

24. Matt is found alone sitting on top of the roof, watching the sunset, but what Geoff finds is someone who needs to talk and so he decides to be that other someone who listens. (Everyone Needs Someone Sometimes)

25. Gavin gets into trouble, which drags Michael and Jeremy into more trouble, and Geoff just wants to have a fucking drink. (Prepare for Trouble)

26. Gavin makes a statement, and Ryan feat. Alfredo makes it a hundred times worse. (Disturbance of Your Own Making)

27. Being welcomed by the sight of a bloodied and battered Gavin through the open door eliminates any tiredness and annoyance Geoff had worked up to having been woken up by a loud pounding on the door at 2AM. (Bloody Brit)

28. That was the way of the Battle Buddies; if one went down, the other had to keep on going, no matter what. (Broken Promise)

29. Nothing lasts forever, and Ray knows that better than anyone. (Never Say Forever)

30. The remaining Gents as well the rest of the Fakes would always be missing a part of themselves from now on. (Parts & Pieces   or   Next Step is to Move On)

31. The alphabet wasn’t enough to cover every brilliant plan the Fake AH Crew had in store, but they never settled for a single letter anyways. (Seven Ridiculous Plans and One That Actually Made Sense)

32. To the Lads, brighter days ahead is just an illusion they can only dream of in the aftermath of a heist gone wrong which claimed the lives of the Gents. (Miserable Lads)

33. It’s a story from being refused of coffee, to wanting to commit suicide briefly, to Trevor having made room for tea-parties with Jeremy, Gavin and Lindsay in his schedule every now and then. (Shut Up and Have Some Tea)

34. Really, it all started when Ray wouldn’t leave Geoff’s house one night. (A Place for Everyone)

35. Usually things doesn’t escalate this far by playing a simple Xbox-game but having ended up in jail, Michael and Matt doesn’t have much of a say about it and Geoff’s pissed. (Hate the Players)

36. Waking up in a dark room tied to a chair with no slightest idea of what the hell’s going on tends to lead to some anxiety-ridden experiences, especially when it is Gavin who finds himself in that situation. (Blackout)

37. No one wants to be the only sober one left to take care of a drunk crew, but with Ray gone Ryan just has to accept that this is his life now. (Trust   or   Sober One)

38. To think it all started that day when Jack saved a drunk man from being robbed in a dark alley. (Mind Your Manners)

39. Neither Lindsay or Michael would force Gavin to put on a brave face after a nightmare; everyone had fears and it was okay to be scared sometimes. (Sharing is Caring)

40. Matt’s life was just another pile of broken pieces until he met Jeremy, and suddenly he had some glue to put the pieces back together. (Glue   or   Glue My Life Back Together)

41. In the temporary apartment Ray was living in at the moment there was a vase by the kitchen window, always holding five red roses. (A Vase Full of Roses)

42. Geoff’s mood could easily be improved a 100 times better with some nice and warm socks. (Can Never Have Enough of Socks)

43. The crew quickly learned that pairing up Ryan and Trevor together would leave a traumatic amount of battered bodies and large pools of blood behind. (Madness In Me)

44. Michael’s life was like a puzzle; bits and pieces all over the place, some fitting, some not, some missing or broken, some didn’t even belong---and Jack standing there in the middle of it all being the only one who seemed to sense some kind of pattern. (Puzzles)

45. The Fake AH Crew weren’t good guys---they never would be---but that didn’t mean they were incapable of doing good, and they were by far the most decent team of criminals that had ever set foot in Los Santos. (Bad Guys Do Good)

46. Tears kept falling, slowly soaking the photo Jack held in her hand of her and the crew---not wanting to forget, yet not wanting to remember. (Remember to Forget)

47. The pink sniper rifle that hung on the wall would always serve as a reminder for the members of the Fake AH Crew that they were not immortal after all. (We Could Be Immortals)

48. Ryan’s an evil mastermind and that frightens Gavin a little, but the Golden Boy reckon it’s time to beat the Vagabond at his own game. (The Reckoning)

49. Kerry Shawcross crosses paths with the infamous Fake AH Crew completely by accident, and all hell breaks loose. (Welcome to Fake Hell)

50. The blood on his hands belonged to someone he knew---someone he cared about---and Ryan had never been more afraid of himself. (There’s Someone There But it’s Not Me)

51. It’s Pride Month and Jeremy really takes it up a notch when coloring his hair this time. (Rainbows)

52. Watching them Lindsay realized that while each of them all had lost so much, they had found even more. (Less is More)

53. Trevor would be better than Geoff ever’d been at scheduling heists and leading the crew, but he still gets to handle all the complaining from the crew so he isn’t as satisfied as he would like to be. (Point of No Return)

54. When the realization strikes him that he’s the only one left remaining, Jeremy falls to his knees in defeat and can’t stop screaming. (What Remains)

55. Fiona can never seem to stop messing with Gavin in any way possible. (A Step Too Far)

56. “Yeah, they’re all idiots---but they’re my idiots, so don’t you fucking dare lay your hand on them.” (A Bunch of Savage Animal Idiots)

57. Times have never been darker for the Gents as each of them struggles to cope with the deaths of the Lads in the aftermath of an coordinated attack. (Falling Inside the Black)

58. The day he met the Wildcard, Michael’s whole world finally started to make some sense. (Wild World)

59. Geoff’s constant drinking worried Gavin sometimes. (Drunk Concern)

60. Matt didn’t believe anyone would care enough for him to consider him family, nor did he believe he would end up in becoming a part of one. (Lost and Found)

61. Alfredo always wondered who Trevor really was underneath his iron suit of armor. (Armor)

62. Even when stuck in a seemingly never-ending coma, Geoff was never alone. (Not Alone)

63. Alfredo joins the Fake AH Crew with more blood on his hands than most people---including himself---would’ve expected. (Red Sea)

64. There’s a perfectly valid reason why Lindsay, despite not being his roommate anymore, is the only one who has a key to Ryan’s apartment. (Key to the Door)

65. Four times Jeremy and Trevor talked their way out of jail and one time they didn’t. (Another Approach to the Problem)

66. Lindsay tried, and that’s why she was still alive, even though everyone else that mattered to her weren’t anymore. (The Fake Among the True)

67. Fiona was her own knight in shining armor and no tower could ever hold her captive for long. (Green Knight)

68. There were days when Jeremy saw a way out, yet the light would always fade at the end of the tunnel, leaving him in the dark. (No Way In, No Way Out)

69. The others would never come back, and Gavin, walking in the wake of that horrifying truth, felt like an empty shell with nothing left to give. (Empty)

70. Trevor would give his life for the crew just like Geoff and Lindsay had. (Third Time Counts)

71. One time for when each of the Fake AH Crew members showed strength and one time when they didn’t. (No Shame)

72. Jack and Geoff shared a special responsibility for every member of the crew, and Michael was no exception. (Nightmare Terrors)

73. ‘Who’s the creepiest motherfucker?’ is a question rather avoided and unanswered. (Creep Contest)

74. All Michael felt now was a burning anger that refused to flicker and fade, and thirst for revenge than could never be quenched. (Road Rage)

75. The last time they all saw each other the city was burning, wounds were bleeding---figuratively and literally---and they never expected to see each other again. (One Last Time)

76. Jack liked to be up in the early, quiet mornings while everyone was still asleep, but she was seriously going to tackle Ryan into bed if she found out he was still awake at 5AM again. (Go the Fuck to Sleep)

77. He’d said he was going to visit, but Ray always pushed the promise further to its limits every time. (Liar Liar)

78. Five times a heist went to hell and one time when it actually didn’t. (Heisting Hell)

79. Not every backstory of the Fake AH Crew’s members is full of shattered dreams and points of no return. (Wanted)

80. Gavin missed home sometimes, but the Golden Boy didn’t. (Two Sides of a Coin)

81. Jeremy’s admiration of monster trucks stretches way back to when he was only a child, walking past a toy store. (Monster Car)

82. “You can leave if you want”, Geoff said, “No one’s going to stop you.” (Freedom)

83. The Vagabond was almost always in control after the Fall of the Fakes, mostly because Ryan let him. (Dead by Daylight)

84. Perhaps the next mishap won’t be so embarrassing for Alfredo, but life didn’t seem to like him much at all. (It’s Life, What Can You Do About It)

85. Four times Geoff said no to either Gavin, Ryan or Lindsay bringing an animal home, and one time he actually said yes. (Animal Addition)

86. So the members of the Fake AH Crew decides to steal their boss’ yacht again and Geoff’s as usual late to the party. (Yacht Party)

87. The crew goes to get some tattoos, and Lindsay is very sure of which one she wants to get. (Tattoos)

88. When Jack falls sick and can’t make her awesome lunch for the whole crew, the crew makes one for her instead (and Jack appreciates it even if it’s a little burned). (Faking the Chef)

89. The day Fiona joined the Fake AH Crew is a day Gavin will very well remember. (Bully)

90. The B-Team is usually there to clean up the messes, except for this time. (Don’t Leave Your Messes Here)

91. The whiskey burned his throat when he guzzled it, and Geoff wished that the liquor could burn away the pain and memories the same. (Burning Bridges)

92. The Fake AH Crew may look like they’re having the time of their lives, but the outside is designed to hide the struggles and issues that lingers underneath. (Inside Out)

93. With the Gents missing, the Lads stuck in a burning building, and the B-team cornered in a firefight, things does not look good. (Already Over)

94. The Fake AH Crew never failed to be impressed by Michael’s colorful vocabulary of swear words. (Words of Color)

95. Jeremy tries to cover up some traces of his past life from the rest of the crew; it does not go the way he wants. (Known to the World)

96. The Ring had been like home, but he wasn’t earning any money being beaten up every round in familiar surroundings, so Michael left---and ended up in Los Santos. (Ring of Fire)

97. The different paths that every member of the crew took for themselves led each of them to end up somewhere they never intended to be, but somewhere they were meant to be. (Pathfinders)

98. It was safe to say that every member of the Fake AH Crew had at least one weird obsession; some had way too many, and some obsessions were just what the fuck. (Obsessions)

99. The Fake AH Crew heists in style, or they do not heist at all. (Do it with Style)

100. The Fake AH Crew is made up of a selected (un)worthy and unique individuals---each one with their own story of whens, ifs, whats, whos, and hows. (Now That We’ve Come So Far)

[ourmrsreynolds]

ok i saw the greta gerwig movie and she really Did That huh. she really made amylaurie work, which is about the last thing i wanted or expected but honesty compels me to give her props for pulling it off.

i was wrong to worry about florence pugh’s casting, she KILLED it as amy--i found her 10x as compelling as i ever found book!amy, but at the expense, i think, of vast swathes of book!amy’s character? the way amy cuts off laurie’s abortive first proposal with “i’ve spent my whole life coming second to jo” is (1) ok she ain’t wrong jo is a bona fide supernova but (2) it reorients the frame of the whole story around amy being the outsider, amy feeling inadequate and not measuring up, which is ...not what little women is about. little women is the story of how jo march reconciles her sharp tongue, restless spirit, and keen desire for independence with existing as a proper lady in a feminine sphere where she’s not allowed to be any of these things. amy has many trials but she is not divided in the same way between self-actualization and social acceptance; amy is not being suffocated by gender roles; so to frame amy and jo’s not-fitting-in experiences as roughly equivalent is to me a suspect decision. i suppose that’s why they call it an adaptation. in that vein i found this professor bhaer much more bearable than book!bhaer because his selling point is he actually takes jo’s writing seriously?? whereas book!bhaer preached at her to eschew commercial considerations for moral ones and i was like fuck that

consider everything that was cut from this movie in order to retcon amy’s “i have been in love with you half my life.” because i’m shipper trash i made a list of all the shippiest jo/laurie moments in the first half of the book and i think greta gerwig kept maybe one of them?? (it was an amy-related one) meanwhile you have the addition of scenes like amy caterwauling outside the laurences’ window after the lime incident. i don’t mean that gerwig’s interpretation of amy isn’t compelling, i already said it was, give her the best supporting oscar already, i’m just saying there’s no support for this take in the text because amy doesn’t think about laurie that much (and he thinks about her even less). not until Paris does this change. whereas jo and laurie are thick as thieves, consistently acting as each other’s hype man, even when jo’s on the verge of accepting bhaer the narrator notes she’s “forgetting to compare him to Teddy, as she usually did strange men, to their great detriment.” To their great detriment: teddy is the yardstick by which she measures all men and finds them wanting.

traditionally people argue amy/laurie makes sense because they have the most to learn from each other, and the counterargument is “bruh they have zero chemistry.” greta gerwig has put the latter objection to bed, but she had to do a lot of violence to the text to get there. i mean, where is the scene (in book 2, by which time alcott had already made up her mind to sink our ship) when Laurie “absently wound Jo’s apron tassel around his finger” and Jo’s all, “i thought you hated to be tied to a woman’s apron-string” and Laurie responds, “Ah, that depends on who wears the apron!” ...kills me every time

there is one argument against jo/laurie that i will accept, and that is this: there is no reconciling jo’s free spirit with the amount of self-effacement that marriage entails. for a woman in jo’s position marriage is tantamount to an abdication of the self--she can see firsthand that meg, for instance, has no ambitions outside the domestic sphere--and marrying laurie would upset the balance of power between them in a way that remaining “one of the lads” would not. recall what Marmee says about the prospects of a stormy jo/laurie marriage: “I fear you would both rebel if you were mated for life. You are too much alike, and too fond of freedom .... to get on happily together, in a relation which needs infinite patience and forbearance.” Anybody want to guess whose freedom is going to be severely curtailed by their role as a married person? Whose infinite patience will be most often called upon? Short of abolishing patriarchy or coming back blind and disabled like Mr. Rochester (that’s how he got Jane Eyre to marry him), there’s no way for Laurie to meet Jo on equal footing. which is the real reason she turns him down. i think we all know that given half a chance he woulda wheedled her into falling in love with him, but resisting Laurie’s overtures is Jo’s (and Alcott’s) only way of resisting The Patriarchy, and i cannot blame her for seizing it even as it breaks my heart.

if you’re wondering why she went on to marry dr. bhaer after turning down laurie, this article floats the incendiary thesis that she doesn’t?? that strong-willed and defiant Jo was metaphorically murdered and replaced by selfless Beth; that the surface-level courtship/marriage narrative of little women conceals a much more macabre horror story. basically, writing (jo’s primary form of self-assertion) seems to be fundamentally incompatible with a woman’s “proper” role, so alcott up and killed her heroine instead of acceding to the demands of 19th century femininity. this is ... not an invalid take.

i’m glad i watched the movie. greta gerwig is clearly mad talented and i enjoyed it for what it was, even if What It Was = Not For Me. there were moments when i coulda sworn Saorise Ronan was Winona Ryder, focusing on Meg & John’s post-married life instead of their courtship was the right call, and timothée chalomet’s laurie is the fuckboi to end all fuckbois. good job all around

[flightfoot]

Abuse and how it plays into Identity in Tower of Nero

While abuse has played a role in previous Trials of Apollo books, and in the Greco-Roman main series as a whole, Tower of Nero digs into it most deeply.

Identity and recovery from abuse are deeply linked here, with much of the abuse recovery coming from forging an identity separate from the abuser.

Previously it mostly came up in The Hidden Oracle and The Burning Maze, with Meg’s relationship with Nero prompting Apollo to examine his own relationship with Zeus. 

Apollo knew in the back of his head that Zeus was abusing him, that his rage against the Cyclopes for creating the lightning bolt Zeus used to murder Asclepius, for instance, was him redirecting his anger onto a safer target because raging against Zeus directly was so unsafe, but he tried not to let himself think about it too much, and he tried to fool himself into thinking that Zeus DID care about him, that he loved him, at least enough that he’d help him if he saw him in trouble. 

Seeing Meg with Nero, how he manipulated her, how he subtly blamed her for anything bad that happened around her, for anything HE did, while trying to seem gentle and kind; seeing the abuse he went through reflected in this young girl led him to cope with his own abuse better. 

His experiences with abuse, with Zeus treating him as a scapegoat and ‘forcing’ him to punish Apollo if he stepped out of line, with his own feelings about the abuse and his own coping mechanisms and behavior as a result, are a useful reference for understanding and helping Meg through her experiences with Nero.

And helping her cope, separate, and try to grow after being manipulated by Nero for so long? Helps him come to terms with his own experiences.

He’s pretty explicit about the comparisons too. Like when Meg talks about how Lu used to help her pretend to kill people for Nero, helped her how she could, but Apollo’s mostly just horrified that Lu stuck around and didn’t take Meg and run... and yet part of him understood.

And are you any better? taunted a small voice in my brain. How many times have you stood up to Zeus?

Okay, small voice. Fair point. Tyrants are not easy to oppose or walk away from, especially when you depend on them for everything. (TON 57)

Lu may not have been quite as dependent on Nero as say, Meg - at least psychologically. Lu’s not a child by any means. 

But Lu’s only immortal because Nero is, and he can, presumably, revoke that. Nero provides her employment, a home, probably her entire social circle, AND he has the power and the will to go after her and anyone she cares about if she strays, if she tries to defy him. 

In those ways, her situation mirrors Apollo’s even better than Meg’s does - and while he’s angry at her for not defying Nero, he also understands. 

I suspect part of his anger and suspicion at her is also anger and suspicion of himself, for falling into a similar trap.

Still, though Lu has her own baggage with Nero, Meg’s is focused on a lot more, with how she’s grown and changed, and her desire to hang onto who she’s become while separated from Nero, to hang onto her own identity and personality and not what Nero attempted to shape her into. 

It’s to the point that she can barely comprehend who she was under him, how she used to think, what she did.

“I betrayed you once,” she said. “Right here in these woods.”

She didn’t sound sad or ashamed about it, the way she once might have. She spoke with a sort of dreamy disbelief, as if trying to recall the person she’d been six months ago. That was a problem I could relate to. (TON 114)

Meg hasn’t really changed at her core as much as Apollo has - as much as she’s gone through, she at least wasn’t much of a jerk in the first place. Well, relatively speaking, when compared to Apollo. She’s abrasive, but not much beyond that.

But she HAS changed, in large part BECAUSE she’s more able and willing to stand up for herself in ways that she couldn’t do remotely safely while with Nero. She’s broken free of his psychological hold. 

During The Hidden Oracle she was ALREADY rebelling against him, she refused to burn the woods, but... well, she DID go with him, DID believe she could change him for awhile. 

But she broke free after realizing he wouldn’t, escaped and returned to Apollo, freeing herself from Nero’s grasp once more. 

For her, I think the difference between who she was six months ago and who she is now has less to do with her actual personality and worldview - those haven’t actually changed all that much throughout the books - but just in being free, somewhat safe (well, safer emotionally at least), and genuinely cared for. To not be under Nero’s influence to the same extent.

With Apollo... well, it’s a bit different with him. Zeus wasn’t as controlling as Nero, Apollo COULD have kept his space from him before; his sister has been doing that for millennia. But he has still changed a lot, moreso than Meg did, to the point that he’s almost unrecognizeable from who he was when he first fell to earth in THO.

Newly experiencing kindness, regular affection, and just having other people care about him though? He shares that with Meg.

Not that people have never been nice to him before, that’s not the case. But to have people be nice to him who he wouldn’t think would need to be, when he’s vulnerable... there’s a reason he’s been extremely touched when that’s happened even back from THO, and in this book he breaks down pretty much every time.

Meg struggles with needing to retain her independence, the new sense of herself she’s acquired during her journey with Apollo.

“I have to go back,” Meg insisted. “I have to see if I’m strong enough.”

Peaches cuddled up next to her as if he had no such concerns.

Meg patted his leafy wings. “Maybe I’ve gotten stronger. But when I go back to the palace, will it be enough? Can I remember to be who I am now and not… who I was then?”

I didn’t think she expected an answer. But it occurred to me that perhaps I should be asking myself that same question.

Since Jason Grace’s death, I’d spent sleepless nights wondering if I could keep my promise to him. Assuming I made it back to Mount Olympus, could I remember what it was like to be human, or would I slip back into being the self-centered god I used to be?

Change is a fragile thing. It requires time and distance. Survivors of abuse, like Meg, have to get away from their abusers. Going back to that toxic environment was the worst thing she could do. And former arrogant gods like me couldn’t hang around other arrogant gods and expect to stay unsullied.

But I supposed Meg was right. Going back was the only way to see how strong we’d gotten, even if it meant risking everything. (TON 114-115)

Meg needs to keep her identity she’s created for herself away from Nero. But her question about remembering to be who she is now versus who she was back then fits Apollo’s conundrum better, something that is clearly not lost on Apollo.

I knew my anxiety about my own weakness was getting mixed up with my anxiety about Meg. Even if I somehow made my way back to Mount Olympus, I didn’t trust myself to hold onto the important things I’d learned as a mortal. That made me doubt Meg’s ability to stay strong in her old toxic home.

The similarities between Nero’s household and my family on Mount Olympus made me increasingly uneasy. The idea that we gods were just as manipulative, just as abusive as the worst Roman emperor… Surely that couldn’t be true.

Oh, wait. Yes, it could. Ugh. I hated clarity. (TON 225-226)

Meg’s captured, being fully under Nero’s influence once more, with him trying to twist everything to be Apollo’s or Meg’s faults, trying to twist it so that every bit of distress that he puts Meg through is somehow the fault of her or her allies.

She picked up the chair and threw it across the room - but not at Nero. It whanged off the window, leaving a smudge but no cracks. I caught the flicker of a smile on Nero’s face - a smile of satisfaction - before his expression fixed back into a mask of sympathy. “Yes, dear. This anger comes from guilt. You led Apollo here. You understood what that meant, what would happen. But you did it anyway. That must be so painful... knowing you brought him to his end (TON 235)

This kind of manipulation is Nero’s trademark, he uses it for most of the book. Telling Meg what she’s feeling, telling her that she’s feeling this way because of something wrong SHE did, not because of the horrible things NERO did. Trying to rewrite her reality to fall in line with what HE wants her to believe, to think.

Nero makes her change clothes, has her scrub up, even has her get a pedicure. 

Normally this would sound like a good thing. But it’s just one of the ways he tries to rewrite who she is, to break her sense of identity and replace it with one more to his liking. By taking away things that showed her own personal style, he took away reminders of who she is, as well as showing his ability to exert control over her, make her believe she has no choices.

My heart broke. Meg looked elegant, older, and quite beautiful. She also looked utterly, completely no longer herself. Nero had tried to strip away everything she had been, every choice she’d made, and replace her with someone else - a proper young lady of the Imperial Household. (TON 285-286) 

Nero continues to try to twist the circumstances, to brainwash Meg into believing that he’s her savior and Apollo and the others may harm her. But Apollo keeps protesting, leading to this scene:

I tried to contain my horror. “Meg,” I said. “There’s only one person you need to listen to here: yourself. Trust yourself.”

I meant it, despite all my doubts and fears, despite all my complaints over the months about Meg being my master. She had chosen me, but I had also chosen her. I did trust her - not in spite of her past with Nero, but because of it. I had seen her struggle. I’d admired her hard-won progress. I had to believe in her for my own sake. She was - gods help me - my role model. (TON 293)

Ultimately, MEG’S the one who decides. Who fights back. Because she was able to listen to herself, to not be twisted by Nero’s lies and deceptions.

“I didn’t kill my father,” she said, her voice small and hard. “I didn’t cut off Lu’s hands or enslave those dryads or twist us all up inside.” She swept a hand towards the other demigods of the household. “You did that, Nero. I hate you.” (TON 295)

This was the tipping point. When she announced, to herself and everyone else, the truth. The reality. Rejecting Nero’s attempts to rewrite it.

Nero hissed. “Ungrateful child. The Beast-”

“The Beast is dead.” Meg tapped the side of her head. “I killed it.” (TON 311)

I notice here she tapped the side of her head. Of course, she didn’t literally kill The Beast; Nero’s still alive after all.

But The Beast was a psychological trick Nero used on Meg, to make her separate him into two people; the ‘nice’ stepfather, and The Beast that takes over and punishes if she misbehaves. 

She ‘killed’ it, because she killed the concept.

There was never a Beast.

There was only ever Nero.

And now that she’s gotten out from under his thumb? She reasserts her own identity.

Meg had thrown away her sandals, braving bare feet despite the arrows, rubble, bones, and discarded blades that littered the floor. Someone had given her an orange Camp Half-Blood shirt, which she’d put on over her dress, making her allegiance clear. She still looked older and more sophisticated, but she also looked like my Meg. (TON 323)

I like the emphasis on how she looks older, but also like herself. She looks like what Nero made her into still, in a way - she’s still wearing that dress after all - but she’s made it her own, integrated herself into it.

It nicely parallels Apollo’s own situation, with needing to integrate who he’s become as Lester, who he’s grown to be, with his godly identity. Because things WILL be different once he’s a god again; he’ll have power he doesn’t have now, will have exposure to other gods that he doesn’t currently have. So he needs to figure out how to handle that, how to be a god, how to be Apollo while not losing what he’s gained as Lester.

Even if I survived, I would not be the same. The best I could hope for was to emerge from Delphi with my godhood restored, which was what I had wanted and dreamed about for the past half a year. So why did I feel so reluctant about leaving behind the broken, battered form of Lester Papadopolous? (TON 327)

Like Meg was, Apollo’s struggling to get ahold of his own identity before he has to face his abuser again, has to re-enter that old toxic environment. He fears that if the trappings of “Lester” are destroyed, then like with Nero changing Meg’s clothes, that he’ll lose part of his connection to who he’s become.

As Apollo fights Python, his mortal body becomes less and less mortal, bringing him into an in-between, in-flux state that mirrors his internal identity crisis.

“YOU CAN’T HIDE!” Python bellowed. “YOU ARE NO GOD!”

This pronouncement hit me like a bucket of ice water. It didn’t carry the weight of prophecy, but it was true nonetheless. At the moment, I wasn’t sure what I was. I certainly wasn’t my old godly self. I wasn’t exactly Lester Papadopolous either. My flesh steamed. Pulses of light flickered under my skin, like the sun trying to break through storm clouds. When had that started?

I was between states, morphing as rapidly as Python himself. I was no god. I would never be the same old Apollo again. But in this moment, I had the chance to decide what I would become, even if that new existence only lasted a few seconds.

The realization burned away my delirium.

“I won’t hide,” I muttered. “I won’t cower. That’s not who I will be.” (TON 339-340)

Like with Meg before, he’s deciding, affirming for himself what kind of person he is now, who he wants to be, different from who he was before.

Even during the fight with Python, some small part of him hopes Zeus will intervene, will see he’s done enough and help him, save him. But here, that instinct is quashed for the final time.

I had done my best. Surely, Zeus would see that and be proud. Maybe he would send down a lightning bolt, blast Python into tiny pieces, and save me!

As soon as I thought this, I realized how foolish it was. Zeus didn’t work that way. He would not save me anymore than Nero had saved Meg. I had to let go of that fantasy. I had to save myself. (TON 341)

Much like with how Meg hoped back near the beginning of the series that Nero really would change, really was a good person deep down, Apollo kept up the hope in early entries that Zeus DID care about him and would come to save him at any moment. And even in later books, heck, even in THIS book, with Meg still calling Nero her stepfather a few times and the part of Apollo hoping that Zeus will intervene now, it’s hard to break the desire, the belief that that person who SHOULD care about you, surely will now.

But both of them break past that. Meg calls Nero out, rejects his attempts to rewrite reality, and Apollo kills the idea that Zeus might intervene on his behalf.

By the time Apollo’s a god again, he has a firm bead on the kind of person Zeus is, as well as the type of environment Mt. Olympus is, with most of his family just watching his trials and tribulations, everything he and his friends went through, and betting on the outcome. Only Artemis and Hera seemed to take things seriously, seemed to deeply care whether he lived or died.

Not that the others could have interfered against Zeus’s wishes.

As much as we pretended to be a council of twelve, in truth we were a tyranny. Zeus was less a benevolent father and more an iron-fisted leader with the biggest weapons and the ability to strip us of our immortality if we offended him. (TON 366)

Apollo just kind of hangs back for the council session, having little to say to anyone except Artemis, not caring much about what the other Olympians thought, and not really feeling like one of them as a whole. Though that was true even before he actually walked into the room.

I remembered my dream of the throne room - the other Olympians gambling on my success or failure. I wondered how much money they’d lost.

What could I possibly say to them? I no longer felt like one of them. I wasn’t one of them. (TON 358)

And finally, the long-awaited confrontation scene with Zeus. It wasn’t long. It wasn’t flashy. Unlike Meg, he couldn’t attack and get rid of his abuser, couldn’t get out from under his influence entirely. Zeus is King of the Gods; realizing that he’s an abusive asshole doesn’t change that.

But he COULD change his own response to the situation.

My father coughed into his fist. “ I know you think your punishment was harsh, Apollo.”

I did not answer. I tried my best to keep my expression polite and neutral.

“But you must understand,” Zeus continued, “only you could have overthrown Python. Only you could have freed the Oracles. And you did it, as I expected. The suffering, the pain along the way… regrettable, but necessary. You have done me proud.”

Interesting how he put that: I had done him proud. I had been useful in making him look good. My heart did not melt. I did not feel that this was a warm-and-fuzzy reconciliation with my father. Let’s be honest: some fathers don’t deserve that. Some fathers aren’t capable of it.

I suppose I could have raged at him and called him bad names. We were alone. He probably expected it. Given his awkward self-consciousness at the moment, he might even have let me get away with it unpunished.

But it would not have changed him. It would not have made anything different between us.

You cannot change a tyrant by trying to out-ugly him. Meg could never have changed Nero, any more than I could change Zeus. I could only try to be different than him. Better. More… human. And to limit the time I spent around him to as little as possible. (TON 367-368)

Apollo just... let go of any attachment to Zeus. It reminded me of the Cumaen SIbyl, with how she forgave Apollo for her own sake, how Apollo felt that he himself was being erased by that. 

This isn’t a reconciliation; this is simply Apollo putting Zeus as far behind him as possible and trying to let him take up as little space in his life as he can. He may not be able to cut all ties to him, but he can at least minimize his connection to him, his influence over him.

In the end, Apollo doesn’t even really consider what he went through to be a punishment; not really.

To be honest, though, I could no longer consider my time on Earth a punishment. Terrible, tragic, nearly impossible… yes. But calling it a punishment gave Zeus too much credit. It had been a journey - an important one I made for myself, with the help of my friends. I hoped… I believed that the grief and pain had shaped me into a better person. I had forged a more perfect Lester from the dregs of Apollo. I would not trade those experiences for anything. And if I had been told I had to be Lester for another hundred years… Well, I could think of worse things. At least I wouldn’t be expected to show up at the Olympian solstice meetings. (TON 373)

Like with his conversation with Zeus, he’s minimizing Zeus’s control, his influence over himself and his life. 

And in the end, Apollo leaves Mt. Olympus as soon as he can to spend time with all the new friends he’s made, away from the toxic influences of Olympus and of Zeus especially. Reaffirming his new identity, his new self by appearing in his Lester form, the form he’d grown in, that he’d forged for himself.

I just really love how in-depth Tower of Nero went, especially with the way it emphasized the identity manipulation and erasure involved with some kinds of abuse.

[clovis-enthusiast]

Little thought about The Tyrant’s Tomb. [SPOILERS!!!!]

oKAY, so I’m gonna start off by saying that, as usual, Rick Riordan’s writing style never fails to impress and draw me in to keep reading and not stop until I’ve devoured every last word. I was DESPERATE to read this book because it took me longer to get it than usual, and I was trying to go into it spoiler free (aside from reading the snippets that Uncle Rick posted on his Twitter every now and then.) I pretty much managed to do so, and it made the experience that much more emotional for me. I went into The Burning Maze KNOWING that Jason was going to die, but I had absolutely no idea what I’d be facing in this book.

Camp Jupiter

I’m just gonna flat out say it; I was never really all that interested in Camp Jupiter in the beginning. I didn’t like the majority of the characters (aside from Dakota who is my legal son) and the camp structure (though accurate to the Romans) seemed too strict and harsh to me. The ranking systems confused me, and it all in all just did not appeal to me the way Camp Half-Blood does. However, the more I read, the more attached I grew, and although I still MUCH prefer Camp Half-Blood and would choose it in a heartbeat when choosing between the two camps, it still became an interesting place to read about. I ADORE the idea of New Rome and the sharp contrast of silly demigods like the fifth cohort vs. the strict rules and upbringing of the camp.

When Jason died in The Burning Maze and the next book was set to take place surrounding Camp Jupiter, I grew excited. I REALLY wanted to meet more of the demigods of the Roman camp and explore them more (mostly Dakota but I digress.) Although I knew reading about everyone’s reactions to Jason’s death would be hard, I fought through it and was somewhat surprised by the lack of grieving that was presented. I mean, the ENTIRE first few chapters were ALL about Jason’s coffin and Lester and Meg grieving and trying their best to get it to camp but when it actually got there there really wasn’t that much of an uproar. At first I thought that was strange but looking back at it the Romans are brought up to be strong and not let emotions take over them, and people like Hazel have to show absolute strength. Besides the camp was already in mourning over DOZENS of other campers at the time.

That was another thing that sort of bugged me. I was absolutely ITCHING to meet some new characters and granted I got a few, but the majority of the ‘newer’ characters had already been killed and served only as the undead army.

THAT WAS SO FUCKED UP. It was one thing that I think Rick did a really good job with in upping the deep and darkness of the Riordanverse series. Can you imagine fighting your undead comrades and friends?? Like holy shit, that was emotional. I was super worried I spoiled something for myself on Istagram bc I read a post someone made about Jason trying to get the undead Romans to follow him instead or direct them away from camp, but I should have known it wasn’t true since he was literally burned.

Frank

Speaking of burning, I ACTUALLY thought Rick killed Frank off. Up until this book, I hadn’t really realized how much I loved this man. His character is just so well-written and likable and when he sacrificed the wood, I was like NOOOOOOOOO. I was SO grateful he came back in the end because I was sure Rick would never hear the end of THAT one if he allowed it to really happen. On the bright side, my baby boy can now enjoy his life with a little bit more vigor and less fear now that the stick is gone for good.

New Characters

Lavinia Asimov: Okay, Lavinia is a REALLLLLLLY weird character to me. She reminds me a lot of Lou Ellen to be honest, but for some reason, she doesn’t appeal to me as much as Lou Ellen does. (Maybe it’s just because I tend to prefer minor characters) Her rebelliousness seemed a little too... forced at times?? And her whole thing with the dryads and fauns was kinda weird too, but I guess since she likes Poison Ivy, it makes sense. However, she kinda did grow on me, I suppose, and I wouldn’t mind seeing more of her.

Poison Ivy: I REALLY wished we could have met her even just once. Lavinia would not shut up about her and was CONSTANTLY rebelling against the rules in camp just to see her, so I wanna know just what kind of a character she is. I’m sure she would have been very interesting and sassy to have been Lavinia’s love interest lol

Pranjal: He’s a good boy!!! Not quite sure how to pronounce his name properly, but his appearance is adorable and I LOVE the fact that he’s a son of Aesculapius because he’s one of my favorite gods soooo... I really wish we could have seen more of him!! He’s kinda like Clovis in the way that he has like one important part, gets mentioned like two times afterwards and then never again :^/

Aristophanes: he’s a cat,,, i love him,,, 

Harpocrates: This was SO interesting and out of the blue to me having gone in spoiler free!! He’s earned a new spot up in my favorite gods list because of how interesting and mysterious he is. His concept was great and although i was sad to see him sacrificed, I hope that he and Sibyl are together wherever they are bc that was damn cute and made me so emotional afgkjldg why did Apollo have to be such a dick as a god,,,

New names with little to no info: Carl (Roman demigod,) Reza (Roman demigod,) Reginald (faun,) Felipe (faun,) Harold (faun,) Lotoya (dryad,) Buster (unicorn,) Muffin (unicorn,) Whagadoodle (unicorn,) Shirley (unicorn,) Horatio (unicorn,) One Eye (pegasus,) Small Ears (pegasus,) Boost (pandai,) Ida (Roman demigod,) Caelius (Roman demigod,) Thomas (Roman demigod,) Colum (Roman demigod,) and Terrel (Roman demigod)

Lester/Apollo

MY BOY HAS GROWN!!! He’s so human now, and I’m so proud. He doesn’t even second guess sacrificing himself or humiliating himself to save his friends. I just... I have a lot of feelings over his character development. Rick handles him SO well, and I just,,, I love him,,, i am,,, in love with him,, i would date lester papadopoulos

Meg

She’s grown to be such a doll!! I was SUPER annoyed by her in the first books, but now she’s my daughter. I love that she’s actually expressing emotions other than ‘annoying 12 year old’ now. Like I wanna protect her.

Reyna

She was a pretty good character in this book and her leaving the camp was a HUGE surprise to me. I kinda wish she was still praetor because idk Hazel just doesn’t rlly seem as fit for it as Reyna was, and I like Reyna a lot, but idk i guess it’s coolio. I was also glad Rick cleared up all the romance discourse about her too though the way he did it was kinda weird (she literally was using the word ‘ship’ out loud like wh-- and i don’t remember the venus thing at all so maybe i missed it from a different book? idk it came out of nowhere to me)

Ella and Tyson

I actually like Ella a lot now!! I used to find her quite annoying, and her relationship with Tyson felt forced, but now that I had the time to get used to her and figure out her character a little more, I do like her. She sort of treats Tyson weird, but I think towards the end, I fell for their relationship more. Tyson was literally excellent, show-stopping, breath-taking, amazing,,, like YESSS KING I LOVE YOU AND YOU PEANUT BUTTER-SMELLING SELF (that one scene where he just started dancing and apollo didn’t know if it was for the ritual or just bc he felt like it killed me)

Character Deaths

Dakota: I AM NEVER GOING TO GET OVER THIS ONE FOLKS. YOU HAVE NO IDEA HOW MANY TIMES I HAD TO REREAD THE SAME SENTENCE TO MAKE SURE THAT I WASN’T HAVING A NIGHTMARE. I PHYSICALLY CANNOT BELIEVE THAT RICK KILLED HIM OFF. I’M STILL EMOTIONAL OVER IT, AND JUST AJSDHF;AMNJ ‘;  NOOOOOOOOOOO THIS IS THE SECOND SIBLING POLLUX HAS LOST IM GOING TO  S C R E A M  HE WAS ONE OF MY FAVORITE CHARACTERS AND HE DESERVED BETTER DAMN IT I’M LITERALLY IN SHOCK LITERALLY DO NOT TALK TO ME LIKE I’M STILL IN SHOCK FROM CREST’S DEATH IN THE LAST BOOK TBH AND NOW THIS??? NOW I’M SCARED CLOVIS IS GONNA DIE JSDKLFKS the only thing that gives me comfort is that Jason can be with his friend in Elysium now fuckkkk,,, rick why did you do this to me,,, I LITERALLY CANNOT EXPRESS HOW UPSET I AM I WILL  N E V E R  HEAL

Don: Don was sort of a comic relief character in SoN, and it was very sad to see him go. He reminded me a lot of Grover, and his death scene with Lavinia ACTUALLY made me tear up. THIS BOOK MADE ME SO EMOTIONAL GOD DAKOTA AND DON WERE LITERAL BABIES RICK GIVE THEM BACK

Bobby: listen,,, we never even met this kid rlly and i was still super sad when lavinia had to kill him again and hannibal is without him and just ughhh whyyy

Julia’s mother, father, AND foster parents: HOLY SHIT RICK WASN’T THAT KIND OF OVERKILL??? I felt so bad for the poor girl, especially cause she’s like six??? But it’s very sweet that Terminus adopted her. I really liked that.

Jacob: AAHHHAHA this one made me sad too!!!! he was such a minor character, but he reminded me of Damien White and Ethan Nakamura (if he were allowed to actually be a kid,) so I think that’s why I was sort of partial to him. The way he died was SUPER horrid too, so I just,,, im big sad for him (on a good hand, he went down F I G H T I N G)

Mentions of anything relating to Hypnos or his children

Yes, i am keeping track, sue me. Somnus was mentioned one time in this book as one of the gods Apollo briefly considered summoning to his aid, and it is presumed he has some sort of tribute at Camp Jupiter had he not before. You’ll make another appearance someday Clovis, I know it :’^D 

Final Thoughts

I literally CANNOT wait for the next book (which I presume is the last one.) From what it seems, we’re returning to New York, so Camp Half-Blood will be present. I can’t wait to see my babes again, and I’m REALLY hoping more minor characters will be allowed to shine (cough clovis cough) but like i KNOW some will die and just,,, im sad,,, dakota’s death has wrecked me,,, but on the side note, the new book is coming out in my last year of school!!! i’m so excited because this series holds emotional value to me like i’ve literally gone through my high school career with trials of apollo like it was with me the whole time and it’s one of the only things that keeps me going. i just,,, i have no words to express how much this series and all the others mean to me...

thank you so much for keeping me going, uncle rick. i can’t wait to see how this all ends :^) <3 

[alternislatronemhq]

Congrats, CHRISTIE, you have been accepted to AL for the role of LUCINDA TALKALOT (FC: Alisha Wainwright). Ah, Christie, excellent job! You’ve taken a character that isn’t much more than a name in this verse and brought her to life! I love your portrayal of her and am so excited to see how she adds to our little group!! Please send in your blog (no sideblogs for first characters, please) in the next 24 hours and be sure to take a look at our new player checklist. Welcome home (once again), we’re so excited to have you join the family!

OOC

name — christie age — 20 pronouns — she/her timezone — gmt+3

any questions? — If I could just ignore the fact she was Quidditch captain during her time at Hogwarts that would be amazing just because it doesn’t quite fit my interpretation of Lucinda. Oh, wait, that’s not a question. Pretty please?

IC Overview

name — Lucinda Talkalot faceclaim — Alisha Wainwright age — 27 (9th of January) gender — Cis-female sexuality — Homosexual

patronus — A greyhound – much like Lucinda, the greyhound is intelligent and gentle, though often accused of passivity. What might be perceived as laziness and indifference, however, is simply a very careful and precise distribution of time and energy – after all, why waste your time on something you don’t care about when you could be working on achieving your real goals?

[tw: claustrophobia] boggart — Herself, stuck in a small space with no means of escaping. Lucinda is claustrophobic and usually, she can deal with tiny spaces as long as they provide some sort of an exit, be it a door or a window, but if they are locked or sealed, her claustrophobia gets triggered. It should be noted, though, that even in the event where she manages to keep her anxiety under control, she still would prefer to avoid small spaces altogether.

IC In Depth

personality traits — 

( + ) Intelligent: Lucinda’s intelligence isn’t innate as is that of the Ravenclaws she remembers from her Hogwarts days, the ones who would just understand concepts and ideas with little if any explanation. Lucinda, on the other hand, needs all the guidance her professors provide and makes use of all available books on the subjects she’s interested in. Her intelligence comes from hard work, from days spent hunched over old dusty tomes, from sheer ambition to learn and to become somebody.

( + ) Driven: It’s the Slytherin in her that would stop at nothing to achieve her goals. If Lucinda Talkalot wants something, she’ll get it. She’d wanted to do well on her NEWTs, she’d done it. She’d wanted to become an Unspeakable, she’d done it. The one regard in which her ambition doesn’t seem to help is the social aspect of her life, but oh, well, nobody’s perfect.

( + ) Accepting: Lucy knows what it feels like not to be accepted, be it for her blood or for her sexuality, and she would never want anybody else to feel like that around her. Even though she’s not the best in social situations, one thing one can always rely on with her is to remain open-minded and willing to listen.

( - ) Reserved: Books don’t ask you about your day nor do they require an explanation as to why you did what you did; they’re just there. People don’t work quite like that, Lucy knows, but she still has trouble putting herself out there and speaking her mind. After all, what does she have to offer in conversation? She’s not funny, she’s not charming, and she quite literally can’t speak about her job.

( - ) Single-minded: She tells herself it’s justified, with how important her work is, but the truth is Lucinda is almost cut-off from the world. The downside of her ambition is that she’s so focused on her goals that she can’t see anything beyond them; even with Voldemort, she knows he was dangerous, but she never quite understood just how dangerous. But what does it matter anyway? After all, he’s a thing of the past.

( - ) Tactless: It’s not that she’s not aware of social etiquette, it’s just that she sometimes forgets to follow it. She doesn’t choose her words carefully, instead they slip out of her the same way her mother’s old china had slipped between her fingers when she’d been a child – without meaning to, unrefined and sharp. She doesn’t mean to be rude, by any means, but she’s also never been known to sugarcoat anything.

character biography — 

Margaret Talkalot always had a vision of how her only daughter’s life would go. Lucinda would attend the same school she did – the only school in town – and then would later attend university in the big city where she would meet a nice, hopefully wealthy man who with whom she would have two children, a boy and a girl, and live happily ever after. It’s a manifestation of everything her mother didn’t get, Lucy realises years later – she’d never got the chance to leave their tiny town, her husband had left her soon after Lucinda’s birth and Margaret hadn’t had other children. (But even to little Lucinda, those fairy tales of princes and princesses didn’t sound appealing – at least the princes didn’t)

Fortunately for her, her mother’s plan started to unravel as soon as Lucinda’s eleventh birthday rolled around. A small white envelope held promises Lucy had never even dreamt to ask for and she’d begged and pleaded her mother to let her go. It’d taken a while to convince her but come September 1st, Lucy was on the train set to Hogwarts.

The castle is absolutely magical in a way that had nothing to do with actual magic. She’s sorted into Slytherin and her housemates give her weird looks as she goes to sit at their table, but that’s fine, the kids back home looked at her weird too. In any case, it’s not nearly enough to dampen her excitement and Lucy spends her first year walking on clouds. The following years she wants to try everything, from Quidditch to Frog Choir, and she does, but… it’s not quite what she imagined. She doesn’t have the experience other kids do with Quidditch, and her face flushes every time she has to sing in front of her peers. It’s okay though, because the library is just as magical and soon Lucy starts spending most of her time there.

She gets good grades, she’s on par with the Ravenclaws, and she wishes sometimes that she was sorted into Ravenclaw instead. Perhaps then she would’ve had more friends? But then she sees Ravenclaws during class, with their clever, understanding eyes, and feels inadequate as she struggles to keep up with the torrent of information. She perseveres. So what if she has to work three times as hard as Beatrice Galloway to get the same grades? She’s not scared of hard work. (She is scared, however, of the way her stomach flutters whenever Beatrice smiles at her. Not because of the feelings she stirs inside of Lucy, but because she knows her mother won’t be happy to learn about them. And Lucinda’s already disappointed her by going to a magical school instead of a “normal” one. Can she disappoint her like that too?)

Turns out, she can. At eighteen, Lucinda passes her NEWTs with flying colours and emboldened by that, she tells her mother she’s not interested in boys. Her arguments sound childish even to her own ears (they’re crass, and smelly, and annoying and she just doesn’t like them, okay?), but they’re true enough and eventually, Margaret stops trying to convince her otherwise. She says she accepts it, but Lucy knows better; her mother is still waiting for the day Lucinda will “come to her senses” and settle down with a man.

The knowledge of it weighs down on her heart, but she’s also never been happier, as though her mother had been the last frontier before freedom. And in the Wizarding World, she’s flourishing – she gets an internship at the Ministry and a few years later, she becomes an Unspeakable. There’s a war raging outside her office, but Lucinda is too busy scribbling down test results and experiment proposal to glance out of the window.

Eventually, it all ends and as relieved as Lucy is, she also can’t deny she feels guilty – but then she reminds herself there’s nothing she could’ve done anyway, except perhaps bored Voldermort to death with theories of how the brain functions.

plot ideas —

I’d love to get Lucy involved with the Order at a later point! In general, the way I envision her character arc (which is always subject to change as time goes on, of course) is that a big part of it would involve her getting out of her office and returning to the world as a whole. That includes becoming more aware of everything going on, becoming more involved in it as she realises she does have more to offer than dry facts she’s read in a book.

Getting her a social life! A bit self-explanatory but as established, Lucy isn’t the best at forming friendship so naturally, I’d love to see her put in a situation where she does end up doing that. Especially with people who challenge her way of thinking. (Also I’ll just throw it out there, but she deserves a girlfriend.)

Some sort of work-related plot seems inevitable too considering how much of her life is spent in her office. Whether that would be potential colleagues (chats by the coffee machine are probably interesting when neither party can talk about their job) or maybe someone who knows more than they’re supposed to (in which case I would love to explore Lucy’s reaction and how she would deal with that). Just about all and any workplace plots!

extra —

Some headcanons:

Throughout this app I’ve been referring to Lucinda both as Lucinda and as Lucy, which I personally see like a very Hercules situation in the sense of:

Meg: Megara. My friends call me Meg. At least they would if I had any friends.

Lucy works in the Department of Mysteries, as previously established, but to elaborate on that, she works primarily in the Thought Chamber. I say primarily because due to the door connecting the Thought and Death Chambers, I’m running with the assumption that their spheres of study are also connected and thus Lucinda sometimes has to visit the Death Chamber too.

(Also I really like the irony of Lucy studying brains, but not being good with people. Like, “I understand your brain, but you I just don’t get.”)

Furthermore, since her job is so centred around minds, she’s also picked up a few skills outside of Hogwarts’ curriculum. Lucinda is an Occlumens, though she struggles with Legilimency. She can only perform it under very particular circumstances, including an intense focus on her part and total silence of the room, so she is almost entirely unable to use it outside of the Thought Chamber. [This is, of course, subject to change if you feel like it might be too much power.]

Lastly, she just gets very flustered around women.

[mfackenthal]

The MFackenthal Show and @maxattack-powell!

banner by @whenyourheartskipsabeat

Hello all!  Welcome back to the MFackenthal Show!  I am so glad that you are here today.  If you’re new to the show, I encourage you to go here to find past episodes.  There are only a few.

The MFackenthal Show has officially been green lit for more episodes!  We used to only be able to afford to run the show every once in a while, but the people have spoken - they want to see the show more often!  The funding came through and we hope to give the people what they want!  Do you want to be on the show?  Do you have someone that you want to see on the show?  If so - reblog or comment or send a message to let MFackenthal know!  We’ll see what we can do!  We have this show and two others lined up for you!

I could not be more excited to bring you this next guest.  She has been with the fandom for quite a while.  She was one of the first people I started communicating with on a regular basis.  She has talked me up, supported me from the beginning and though she hasn’t written much lately - when she does drop a chapter - it’s long and it’s worth it!  Please welcome to the stage @maxattack-powell!!!!!  (Insert Cheering here!)

(Megs greets Max with a hug - which means that Megs essentially runs and leaps into Max’s arms.  Max is fairly tall and Megs is barely 5′3″) 

Megs:  Max, I am so happy that you are here!  Can you believe that you’re here today?

Max:  Haha, yes - I can.  But I am honored to be here.

Megs:  Max, sit with me.  For those in the audience who may not know you, tell us about when and why you joined the fandom.

Max: Yanno, I always made my best guess at this before, but I knew you were going to ask me this - so I looked it up.  Did you know that now there’s this Official Tumblr blog called @memories, and it knows down to the minute when someone joined? Let me go check it… *digs through the blogs posts* Okay, it was apparently 07/31/2017 at 1:17:15 PM, which means it must have been on the weekend because of the time of day haha.

As for why ... hmm, well… I found the Choices app one day, when it only had like… three series I think! Anyone else remember that time? 

Megs:  I do!  Because I was playing Hollywood University I think I downloaded choices the day the app came out.

Max: Awh!  Well, I fell in love with The Freshman Series. Mostly because of Chris Powell and Zack Zilberg, and a long time ago I was in another fandom that had tons of fan fiction/art… so I googled “Choices Chris Powell” and any other combination I could think of looking for possible fanfiction. The fandom was almost non existent at the time. There was actually one person, who has long since left the fandom due to fandom dramas - we all know the kinds I’m talking about - but a few others had started posting their works as well… and I got hooked. Eventually I felt the bug to write how I felt TF should play out as well, and here I am *looks back at the “joined tumblr timestamp”* uhh… 20ish months ago!  Haha!!

Megs:  LOL, when you put it that way it doesn’t sound like that long ago ... lets call a spade a spade - that was almost 2 years ago!  That’s amazing!  You have to have seen so much in this fandom!  What is it that keeps you around?

Max: There are so many awesome people in this fandom, in this world we’ve all created for our pixelated loves lol. Soooo many creative minds to follow and enjoy. The content people share, original or repost… it’s great. 

... Unfortunately it is also a double edge sword ... the drama, the jealousy, the rumors, the hate, etc. I’ve sadly seen far too much and it comes in so many forms… it’s unnecessary.

Megs:  I couldn’t agree more!  If you could tell the fandom one thing - what would it be?

Max: It would be that we’re all here because we want to have a good time. No one came here to get ridiculed, to be scrutinized or chastised for their opinions, their likes or dislikes. Real life has enough of that going on. We are all individuals - if you want to be treated nicely, fairly, etc. you must also do the same to others. There is no reason someone must agree with you or anyone else. Live and let live. Embrace our differences as it makes us who we are. Most of the issues I see stem from a simple difference in opinion. That is ridiculous. Everyone’s entitled to their own thoughts. We must build each other up, not tear one another down. No one here owes anyone anything, now go have some fun.

(The room stands up in applause!)

Megs:  You should definitely stand up and take a bow, Max! 

(Max does just as Megs suggests - but she also makes Megs stand up and do the same. Laughing, they both sit back down.)

Awh, Max ... okay, let’s get back to you.  We know that you’d fight anyone for the position of The Chris Powell Appreciation/Fan Club.  And for those who don’t know, Max has been retelling the full The Freshman series, interweaving dialogue and plot from PB but also adding much of her own content.  MC and Chris get a backstory.  Chris gets best friends from back home.  What is your favorite piece that you have written?

Max: Oh geez hahaha. Um… can I just say The Freshman Chronicles as a whole? I’ve written for different fandoms, and I have original WIPs but I’ll stick to the Choices fandom for this answer. I’ve put a lot of time into TFC. Tons of additional story work, research on characters and their backgrounds, PBs and my own OCs. You should see my file folder setup haha. It’s crazy… I have so many docs, pictures and gifs. Most organized by location (Hartfeld, Boston, New Haven, Cherryfield, etc.), then by character… and on some I get more detailed and split them by emotion and situation.

Megs: By what again?

Max:  Emotion and Situation ... Yeah. I warned you it was crazy! *laughs* TFC was the reason I joined tumblr really. Instead of staying a Nonny and only reading others posted works. I wanted to comment, like and reblog what I enjoyed, while I also worked on my own contribution to the fandom. I had a vision for Chris and MC that had more than the game could give, and I wanted to see if i was still any good at writing since it had been years and years… it’s funny to see how different my current posts are from my first over a year ago. Makes me want to go update a few because they could use a little help *awkward laugh*

Megs:  I’m sure we can all relate to that!  Hmmm ... I’m starting to get a feel for this, I think, but what is your writing process?

Max:  Lots of planning, mostly in my head. When I feel like I have a decent concept I might type out some notes or work it into my outline (another crazy thing I have going for TFC because it’s so big haha). But usually, once I hatch out a basic plan on where I’m going… I just start typing. Keeping the general plot and main points I want to hit in mind, I simply start typing… keeping it as organic as possible. It usually works out well. 

Megs:  Do you have any advice for other writers?

Max: First, and most importantly… do it because you enjoy it. Don’t do it for likes, reblogs, popularity, etc. If you’re having a good time dreaming things up and typing them out, that’s what’s important. The rest is just an extra bonus. Also, don’t give up. It’s easy to become discouraged, frustrated, distracted and more… but remember - your creative cells can’t be running all the time. They need to rest just like your body. Take breaks… go read, play games, hang out with friends/family, watch a movie… whatever. Just do something to help you relax, to reset and you’ll very probably find inspiration and/or motivation to continue. Remember, this is for fun. *wink and finger guns*

Megs: So what do you do for fun?

Max: I actually have a few things I do regularly. A big one is making costumes/props for conventions, small productions, etc. I also train and show horses. I do the same with my dogs, but more for competitions and not really any shows. I’ve always drawn, sculpted, painted since I was old enough to hold things with my hands… and about a year ago I started learning how to do it digitally as well. I run (not at all for fun haha) and play hockey (totally for fun), follow comics and watch anime. I've restored houses, cars and old furniture. I like to read as much as I can - that’s an important one. I also play video games. Something I’ve done since I was young… I've even competed, and won, a few gaming tournaments.

Megs:  You don’t know how to be bored do you?

Max: LOL, Megs.  Yeah, um, so there’s a “few” *makes air quotes* of my never ending list of interests haha. Gives me a lot to talk about with people, eh?

Megs: Not that I can understand how you’d have time for this ... but what do you do to help pay for your many activities?

Max:  Oh like, my job? Well that can be a simple answer… like “I work in software” but the more interesting way to say it is I use my MBA, experience in business, the financial industry and technology to improve and stabilize my customers environment through technological solutions that fit their specific needs. *presses lips together* I solve problems by designing solutions. Bored yet? Hahaha.

Megs:  No!  That sounds wonderful!  Who doesn’t want their stuff to be designed better?  Any chance you could start working for tumblr?  Some of us have a few complaints ... tags ... mobile losing our work ...

Max:  I’m not sure they could pay me enough to help them with all of their problems!  But, tumblr, feel free to send me an offer!

Megs:  Seriously - send her a 6 figure offer!

Max:  Okay, Megs, well now I have a question for you.

Megs: Uhhhh, Max, that’s not exactly how this is supposed to go. 

Max:  Yeah, don’t care.  Your fans need to know ... Hoooow do you find the time to read and review so much?! And I know that’s just in this fandom.  I know you read books and you may read for other fandoms!?  Seriously, it’s awesome. We need to clock your page flipping speed haha.

Megs:  *blushes* Oh my gosh, you have to stop!  Here’s the key to how I do it ... I wake up at 5:30am and read for about 30 minutes.  Then I workout and start my day.  I read in line at the grocery stores.  I read on my breaks at work. 

Max:  Oh my gosh - you’re such a nerd and I love that!  Okay, nerd, what is your favorite thing to do, besides reading all the things of course?

Megs: This show, of course!  And, of course, getting people to do silly things on this show with me.  For instance - with as athletic as you are, I hear you can’t jump? 

Max:  Megs, shhhhh.  You told me you weren’t going to bring that up.

Megs:  I did no such thing! (Meg says while laughing) I said I might not bring it up.

Max:  Uh huh.

(Kris Kross’s “Jump” starts playing in the studio)

Megs:  Come on - show me what you’ve got! 

(Megs starts “singing” along and jumping along with the song. Max stays seated.  Megs finally pulls Max up into a standing position. Max plays along and “jumps” next to Megs - getting no air at all.)

Oh, come on Max - put some real strength in to it.  Jump! Jump! Jump!

(Max jumps and gets the smallest amount of air time.)

Max:  *laughing* Megs - I’m tall!  I don’t need to jump to reach things!

Megs:  *laughing* That must be nice.  I got good at this type of jumping because I had to learn to jump up and gently grab things from the grocery so I didn’t knock everything down.

*continuing to jump around the audience - getting everyone to join her* And that’s all for the show today today, folks!  Thank you for watching!!  Have a great night!

[lackcharisma]

meta on dwight's #1 purpose in trials and how his perks could be linked to this ? :-0

Dwight Fairfield and Existentialism:

On Leadership and In-Game Perks 

One could argue that any of the survivors’ purpose is to simply do exactly what their role entails: survive. This is true for Dwight especially, right down to a stubborn, existential level that extends beyond the trials, beyond the Realm, beyond this entirely fucked up experience. I’ll certainly eventually go into more detail about how disturbing and real and deep his experience with schoolyard and after-hours bullying really went, but the main point of my bringing it up here is this: 

Dwight endured. All of it. Despite assertions to the contrary, he survived. All of it.

Now in the role of leadership? Where that comes in directly ties to Dwight’s exact experiences as the the nobody trampled underfoot; the body left behind. Part of his role—a very, VERY large part of it, Dwight personally contributes to chance, and the fact that he was one of the first. If not for firsthand experience of wandering, idle stumblings across a Realm not fully constructed for this batch of players, Dwight would not have been given any respectable leg to stand on.

Perhaps one day I will expand on the Entity’s willful knowledge of this and how It’s choosing Dwight first was neither chance nor a mistake. But let it be known that I have at least said it here. 

Dwight’s unfulfilling and unremarkable existence might signify to some that he has nothing much to live for; curiously enough, fighting for that right is all he ever does. To the Entity, Dwight’s hungry, primitive longing for life—despite having nothing—makes him a perfectly spectacular host to feed on.

Dwight is established as the ultimate example of mediocrity. He is exceptionally good at being exceptional at nothing. Nothing makes you invisible. Invisible is safe. There’s just one catch: 

Invisibility is only useful so long as there are eyes searching for what can’t be found.

One body to play dodge and weave games with the killer, and three others to get the real job of getting out done. Dwight accepts that when you’re not good at much, the best thing you can do is play the rabbit leading chase. 

And this is where his perks come in.

Now what is the purpose of a survivor’s or killer’s unique perks? How are they decided? No one knows the answer for certain, but what we can figure and understand is this: if the Entity feeds on both positive and negative emotions, then the perks and add-ons granted to the killer and survivor will most effectively tap into the individual’s emotions. 

The Entity takes the natural talents, habits, and inclinations of the individual and exponentially heightens these traits. For Meg, they are related to athleticism. For Jake, they are survival-oriented. Tapp’s perks address the grit and skill required to work as a proper law-enforcement officer.

What are Dwight Fairfield’s perks? When a man is good at nothing, what unique skills can be improved on?

Perhaps that which the individual might be lacking—perhaps what one most greatly strives for.

BondUnlocks potential in one’s Aura-reading ability.We have to work as a team, I need you to survive so that I can survive!“ — Dwight Fairfield

This is just about as meta as one can get: even beyond line of sight, the Entity grants Dwight the ability to see survivor’s auras—and let it be noted that “without his glasses, he’s more or less blind.” Despite popular assumption, Dwight Fairfield was not entirely without relationships on the other side, but they were few and far between. Additionally, he often felt even those were lacking a degree of intimacy, a sort of transparency and understanding he really searched for. To form a real, solid bond?

The Entity grants him this, in a weirdly direct and indirect way. Dwight doesn’t need to know where the killers and the enemies are—he’s always had a knack for spotting those from a mile off. Finding others? When you’re invisible, the only thing left to do around you is look around and find other bodies in the commotion.

Prove ThyselfIncreases the repair speed of generators within range of other survivors“Show me what you can do!” — Dwight Fairfield

This is especially interesting considering the Entity’s recent implementation of penalizing survivors for working on the same generator. The Entity is fickle; one must survive but by certain rules. Finish the trial too early, and the feeding It gains for a game is not worth the energy expenditure.

Prove Thyself counters this: a sort of rallying cry if you will. Dwight knows his fellow survivors and team members possess skills he does know. He knows they are tired. They are scared and bleeding. Prove Thyself, despite the name, is not Dwight’s effort to make himself appear more impressive—it’s to remind his fellow teammates what they themselves are capable of.

LeaderYou’re able to organize a team more efficiently.

Something Dwight has, again, always longed for—but consequently failed at. He failed at team sports. Group projects. Even “team-building exercises” in adult and work environments. It was not a lack of trying but a lack of other things: charisma, pizzazz, gumption. Mere appearance fitting of a leader.

Dwight’s firm perseverance and demanding of himself that he get out and survive means that he’s adapted in more ways than one. Outside of a trial, he may be a little awkward. inside of it? Inside it, he commands attention. His ability to remain unseen, to bow instead of break under pressure, and the knowledge and perception gained from sheer force of will absolutely dominates immobilizing fears. Dwight knows where fear leads you.

Nowhere. Nothing.

He’s ready to get back to something.

If—no, when—he gets out, Dwight wants to be able to say he’s earned it.